Episode #02.17: Plan B
Original Air Date: April 5, 2006
Written by: Dayna Lynn North
Directed by: John Kretchmer
Report Card (Capsule Episode Review)
Yearbook (Recurring & Guest Stars/Character Statistics)
Drama Club (Performances: Highlights and Lowlights)
Chemistry (The Analysis of LoVe Scenes)
Journalism (The Mystery of the Week) (None)
Study Hall (Miscellaneous Plot Details)
Extra Credit (Clues to the Season Mystery Arcs)
History (Flashbacks)
Band Class (The Music of Veronica Mars)
Literature (LoVe Lines/In Memory/Quotable Quotes)
Social Science (In Reference To ... Pop Culture & The World)
Homeroom (On Second Viewing, Get a Clue)
Pep Squad Practice (Ambiguously (Or Not) Gay Logan Moments) (None)
Detention (While the Censors Were Out to Lunch ...)
Philosophy (Unanswered Questions)
Principles of Democracy (Hindsight is 20/20)
Role Call (Written/Compiled By ...)
Grade: A+
Membership Grade: A (96.0% / 50 votes)
Easily the best episode of the second season, this one handily earns the title as one of the best episodes (top three) of the series. And no, it's not just because there is no Donut, no Pink Pastel Miss and no Do-Me-Kendall Doll to be seen. Because they are that good together, yes, the gentle, fun LoVe snark helps, as does the swoon-worthy, squee-inducing LoVe dance, but it is the overall brilliance of the cast, the entwining of stories with threads pulled from the season opener on into a brilliant tapestry.
We have some witty, wonderful dialogue, incredible, evocative direction by John Kretchmer and some character actions and insights that literally blow viewers away. Dark secrets are hinted at, character motivation is questioned and explored and the bam and buzz that generally accompany an episode of Veronica Mars season one is back in full force. Even with a few off performances and some befuzzling-actions from a particular character, the overall merits of Plan B are A+.
And did I mention that Logan and Veronica dance? And that it is swoon-worthy? And squee-inducing? And altogether magically delicious and dizzingly hot? If not, well, there is a LoVe Dance. And it is wonderful, as wonderful as this top-notch episode.
Credited Cast Non-Appearance
Ryan Hansen - Dick Casablancas
Teddy Dunn - Duncan Kane
Recurring Guest Stars (Previous Episode Appearances)
Brad Bufanda - Felix Toombs
- Season One Appearances
- Normal is the Watchword
- Ahoy Mateys
Annie Campbell - Molly Fitzpatrick
- Ahoy Mateys
- Rashard and Wallace Go to White Castle
Linda Castro Mrs. Murphy
- Season One Appearances
- Blast From The Past
- My Mother, The Fiend
- The Rapes of Graff
Valorie Curry - Jane Kuhne
- Driver Ed
- Nobody Puts Baby in a Corner
- Rashard and Wallace Go to White Castle
- Ain't No Magic Mountain High Enough
- The Quick and the Wed
Steve Guttenberg Woody Goodman
- Normal is the Watchword
- Driver Ed
- Nobody Puts Baby in a Corner
Brandon Hillock - Deputy Sacks
- Season One Appearances
- Driver Ed
- Cheatty Cheatty Bang Bang
- Blast from the Past
- Donut Run
- Versatile Toppings
Tina Majorino Mac
- Season One Appearances
- Green-Eyed Monster
- Ahoy Mateys
- My Mother, The Fiend
- Ain't No Magic Mountain High Enough
- Versatile Toppings
James Molina Thumper
- Rat Saw God
- Ahoy Mateys
- My Mother, the Fiend
- One Angry Veronica
- Donut Run
- Rashard and Wallace Go to White Castle
- Ain't No Magic Mountain High Enough
Michael Muhney - Sheriff Lamb
- Season One Appearances
- Driver Ed
- Cheatty Cheatty Bang Bang
- Green-Eyed Monster
- Blast from the Past
- Rat Saw God
- Nobody Puts Baby in a Corner
- Donut Run
- Rashard and Wallace Go to White Castle
- Versatile Toppings
- The Quick and the Wed
- The Rapes of Graff
Krysten Ritter Gia Goodman
- Normal is the Watchword
- Rat Saw God
- Nobody Puts Baby in a Corner
Rodney Rowland- Liam Fitzpatrick
- Ahoy Mateys
Tayler Sheridan - Danny Boyd
- Ahoy Mateys
- The Rapes of Graff
Jon Michael Souza - Passing Motorist (Eyewitness)
- Normal is the Watchword
Patrick Wolff - Hector
- Season One Appearances
- Rat Saw God
- Ahoy Mateys
Martin Yu - Mr. Woo
- Season One Appearances
- Blast From the Past
Guest Stars
Furonda - Beverly
Richard Neil - Foreman
Who's Who in Neptune
Beverly - Secretary to Woody Goodman.
Foreman - Foreman at the Sharks Stadium demolition who found Thumper's motorcycle chained inside the stadium.
Hey! It's That Guy/Girl
Furonda - Furonda is one of the contestants on the UPN television reality series, America's Next Top Model. She won her guest spot on the show as an award for winning a challenge. Too bad, even though she wasn't horrible, we as the audience felt like, we LOST a challenge.
Highlights
Jason Dohring (Logan Echolls) - A magnificent episode with Dohring again at the top of his snarktastic form. Throughout the season we have been privileged to observe the Jason Dohring Advanced Acting 101 workshop. We have seen heartbroken Logan as he watches the video of Lilly and Aaron, vulnerable Logan as he asks Veronica for help, desperate Logan as he struggles under PCH torture, anguished Logan as he confronts all the conflicting emotions he felt while trying to clear his names and the lengths he went, and far too many others to list.
In Plan B, Dohring is at his quippy, snarky best with numerous witty lines that leave the viewer helpless with laughter and applauding the snark. And yet, his ultimate acting triumph is displayed in a scene where he doesn't speak a word. Yearning and hopeful, Dohring uses his face and body to show the intense emotions Logan is feeling as he dances with Veronica. Simply superb!
Francis Capra (Eli 'Weevil' Navarro) - I loved him! With an impassioned shout, Capra caps a first-rate performance that displays all the strengths of Weevil as well as his ambiguous complexity. Capra displays charm (as he masterfully plays Veronica's curiosity), pain, longing and a steely determination as he unravels the truth behind Felix's murder (or so it seems). His shadowed confession was the perfect ending to a moment of classic noir that left the viewer breathless. Kudos to Francis Capra for a hard-edged characterization that added increased layers to Weevil's characterization.
Lowlights
Percy Daggs III (Wallace Fennel) - It is not fun putting Daggs' name in this category, but this episode showed the young actor at his worst. Perhaps, he found the sudden change in Wallace's personality wherein our sweet Wallace became Wallace the Jerk as unbelievable as most viewers and simply was at a loss as how to portray this heretofore completely alien side to his character. Whatever the reason, Daggs was just off on a major scale in his performance. For the first time, his Wallace was unlikable, dialogue and actions both were delivered in a stiff, stilted manner and the whys and wherefores of almost everything Wallace said and did made no sense.
Brad Bufanda (Felix Toombs) - Bufanda delivers a goofy, poorly delivered flashback scene as he dreams of living the trucking life with his secret squeeze Molly Fitzpatrick. Let me don my Director/Teaching beret for a moment (it's a snazzy purple by the way) and say that this, students, is an example of a marginal actor phoning it in. Or to be more specific -- a marginal actor phoning it in while he tries to make up his mind whether to stop at that new Thai restaurant on his way home from the set or just order a pizza. Please refrain from ever doing this. End of lecture.
Before I go into detailed scene analysis, I'm going to offer a little introductory analysis regarding Logan's previous relationship. In my opinion, all but the final scene between Logan and Hannah played as if, yes, Logan cared about Hannah as a person, felt guilty about using her, appreciated like nobody's business that she cared about him and believed in him, enjoyed the making out (he's a teenage guy) and was motivated strongly by the idea of someone good actually caring about him/standing up for him. However, I did not believe ever that he actually liked liked her, fell for her, take your euphemism.
I excluded that final scene because that did play out that way, but I simply can do nothing but discount it. First of all, as the scene was written there was simply no way for Jason Dohring to add any layers, subtext, etc. I won't go into detail or into a Rob Thomas rant here, just suffice it to say that I think the reason that it was written as such is because that final scene was his way of sticking it to the LoVe fans one last time (hopefully). And I believe that because it contradicted every scene before that DID play as I described Logan's feelings above and then taking into account this week's episode, even more confirmed that, no, he did not like like her, fall for her, take your euphemism.
Scene One: He's a Winner!
Ah, once again the overt LoVe-joy that is derived from this scene all comes from Logan, but ah, ah, ah, we do have some subtle moments of (oh, let's call a spade a spade) fanwanking that can be applied to Veronica. First off, we must acknowledge Logan's complete lack of mourning over the Pink Pastel. First we have his Cheshire-grinning, snarky self about the essay. And then we've got the gaggle of girls (all acting like Hannah clones) hanging all over him and here is Logan, basking in it like the aforementioned Cheshire basking in the sun. And along comes Veronica. And here comes Logan, grinning at her, broadly hinting that she should ask him out on a date, sidestepping with a grin her accusation and in one final moment in which Logan is a crowning citizen of Hannah-who? land, our dear boy, still doing his Cheshire grin, takes a moment to look Veronica up and down, head to toe in a decidedly appreciative way.
As for Miss Mars ... clearly that essay was several pages long. Just as clearly it was single-spaced. And just as clear as the last just as clearly was the fact that Veronica couldn't have read more than a few lines or lightly skimmed a paragraph. With that clarity in mind, being able to quote a few lines from a film that Logan is obviously fond of that also appear in his essay, in no way offers the snap-quick analysis that Logan plagiarized the paper. Because really, several pages, single-spaced typed, there is no way an entire paper can be written in such a way that plagiarizes a film. So, with that said, we go to 'Fanwanking Your Way to LoVe 101:' Veronica just wanted an excuse to walk up to Logan, be near him, talk to him, and exchange some snappy, arousing repartee. Because that there was the single, weakest accusation that Veronica Mars has ever come up with ... in regards to Logan, yes but also in regards to anyone any other time. Seriously? Several pages, single-spaced, seconds of reading and she comes up with plagiarism? Nah. She just longed to be close to him.
And then there was the one final bit that is perhaps fanwanking, but I think is only on the edge and is not quite a stretch of imagination: Veronica remembering the dialogue to Logan's afore-mentioned film regarded with fondness. Not only do we have Veronica actually reciting the film's dialogue, which can be seen as her noting its importance because of Logan's love for it, but we have -- and this is big! -- Veronica actually acknowledging that she and Logan dated!! YES! For the first time this season, Veronica spoke to Logan about a couple-thing they did as a couple. It's a miracle. And one to which I'm ever grateful for because it means that mound of straw is indeed becoming a mound.
One more note: The film that Veronica mentioned was Easy Rider and, as any consistent viewer knows, that was the film that Logan watched with the Pink Pastel. If Logan dear was even remotely heart sore for the girl, wouldn't we have seen, oh, even the slightest smidgen of pain cross his face when Veronica brought up what would be a fairly recent fond memory of their time together? Yes, he would. But he didn't. Because he didn't truly like her. It was all about the fantasy of having a normal relationship with a sweet girl who gosh darn't liked him for him, not the sweet girl herself.
Scene Two: What Logan Can Do
Yeah, totally -- this witty repartee/gentle snark is so verbal foreplay with them. SO verbal foreplay. It's like they have this rhythm going, beginning with Logan doing that smooth turn whilst walking upon hearing the voice of his lady love. And then the side by side gait, shoulders brushing, quips falling one on top of the other, the smiles, the flirty eyes. It is just pure poetry to behold. Sexy poetry. Because if I haven't mentioned this recently -- and I haven't because there hasn't been much cause -- these two have incredibly good chemistry. Walking, talking, quipping and snarking, they are the essence of cool, sexy heat. Kristen Bell and Jason Dohring are just so exceptionally in synch when working together, it's dazzling. (And we haven't even gotten ahead of myself yet with the you know what!)
Sigh, but all good things must end. Once Veronica grabs the keys and Logan informs her of her pest-like quality, things get serious and the fun and games are over because Veronica gets her proverbial foot up the proverbial ass of LoVely snarkage. Oh, Veronica.
And oh, Logan! It wasn't the nicest comment ever, but this hysterical, gentle snark must go near the top of my favorite not-so-nice LoVe banter ever.
Another interesting little touch is that right after Veronica (finally) gives Logan back his keys, he presses them to his mouth, like so:
What's interesting about this -- and possibly LoVe-friendly -- is that this is not a common gesture. We all have noted the many Logan-specific gestures/actions that Jason Dohring has given this character. While no doubt he's done this before it is not by any means a signature Logan move. Therefore, I'm going to attest (yes, once more taking a page from 'Fanwanking Your Way to LoVe 101') that Logan chose (subconsciously) to press those keys to his lips at that moment because Veronica had just been fondling them. Uh huh.
Also, it's a stretch, but it is possible that that Logan's way of shelling out his remembrance of the witness that night was another form of flirting, LoVe-style. He waited to give her all of the information, even walking away because he wanted to leave her hanging and thinking she'd be disappointed before, uh oh, turning around (in another sexy, smooth move) and offering up some satisfaction. Oh yes, Logan gave her something to make her happy. Uh huh, he loves her.
And going back to that whole in synch thing, at the top of the scene, Logan threw his keys in the air and Veronica handily caught them. At the close of the scene, Veronica threw his keys back up in the air and Logan handily caught them. See? In synch. They're made for each other.
Scene Three: The Stakeout
Ah, the subtext here is utterly delicious and proved indelibly once and for all for me that the Pink Pastel was just some flitter-fly-away fantasy of what Logan Echolls could never really want, but instead be someone he just thought he should want because she wasn't a bitch (see Lilly, Caitlin, Veronica, Kendall, you get the drift). Let's begin with Logan's opening salvo while the staking-out.
Ah, but it gets better! Instead of just dropping it, Veronica continues with the reminder of the relationship by bringing up what doctor daddy dearest did in retaliation (which led to the cute little 'bad boy' high-five-age!). Now, her continued prodding of his time spent with the pre-schooler leads me to believe that Veronica was once again trying to convince herself that Logan was in mourning, so that she could comfortably sit next to him and not think naughty thoughts. See, if he was actually into someone else, she would think only pure and noble thoughts because otherwise that would make her the slut that Mac clearly thinks she is. (Silly Veronica, it's Logan. He's pretty. You're only human. We understand.)
Alas, poor Veronica, Logan does not help. For what does he do? Why he brings up Veronica's father -- which brings up the fact that they dated, reminding her of that fact. Yeah, one-track mind there, Logan and it's all about the Veronica. Because he loves her. And so naughty thoughts would have totally started running rampant through Veronica's mind which would have led to sexual tension galore and then they would have jumped each other and the stake-out would have been sexy indeed. Erm, but that didn't happen.
Stupid witness showing up. Damn him!
Sigh. Anyhoo, so (stupid) witness showed up and Logan and Veronica hopped out of the LeBaron (and how cute did Logan look all big and cramped in there ala many a fanfic?) and here comes the next best part of this scene. Remember that in synch, sexy cool rhythm I mentioned above, well, we get to see it in action again. Just like clockwork, the two play off of each other, beautifully playing Mr. (stupid) Witness. Well, okay, maybe not beautifully because Mr. (stupid) Witness doesn't cooperate. But, but, but, Logan and Veronica still are totally perfectly suited to do this investigating, manipulating, P.I.ing stuff together. They are just so perfect for one another. Veronica, wake up! Smell the sexy stake-out possibilities?!?!
Ahem.
Scene Four: Left Longing
Before we get into the meat (as it were) of this scene, it must be noted that Veronica commented to Charlie, that "we all want the bad boys." And who did Miss Veronica officially declare a bad boy the night before? Why, Logan Echolls. Uh huh. And who did the camera jump to very shortly thereafter? Why, Logan Echolls. Yes, indeedy.
And upon landing upon the beauteous Logan, we got a little more Love. Halfway through this scene (right before it does another goofy, camera twist), viewers see Logan staring longingly towards his left and I think it's quite a safe assumption that he was looking at Veronica. Firstly, the preceding shot had Veronica in the area of the gym where Logan was looking. Secondly, as mentioned, there was a look of longing on that boy's face that we've seen associated with his love for Veronica and Veronica only.
Finally, and what makes it most likely that Logan was indeed looking toward Veronica is that he did so right after Gia commented that "it would be even cooler to have a date." And remember, Logan had hinted quite broadly that he wanted Veronica to ask him to the dance at the beginning of the episode. So, Logan looking towards Veronica with longing. Score one more for the lack of remembrance of the Pink Pastel which leads towards proving the theory that he wasn't really into her at all.
Continuing with this splash of scenes, when it jumps back to Logan and Gia once more, the girl is beginning to truly annoy the crap out of him. At what point during the conversation when Logan is looking straight at Gia and attempting to get her to get it!, you can see Veronica walking by them and watching Logan. So, (1) she was watching Logan. Squee. (2) She was paying attention to what was going on and knows him well enough that he was gonna eventually blow, which lends more motive behind her later actions.
Scene Five: The Dance
This scene, like The Kiss, relies on body language and facial expression to an astonishing degree. Despite the lack of dialogue it is crystal-clear what thoughts are running through Logan's mind and while we don't get as much clarity from Veronica (what else is new?), we still do get a fairly good read on her. But let's start at the beginning, shall we?
I commented in the scene above that Veronica took note of Gia annoying Logan earlier in the evening. Therefore, Veronica did have more than just the few seconds caught here to realize how close Logan was to just letting it rip. As much as I would like to believe that Veronica chose dancing with him as the method to keep him from Gia because secretly she wanted to dance with him, I don't think that's the case.
I believe that Veronica has completely convinced herself that she is over Logan, she doesn't still care, she isn't jealous, he doesn't get to her, etc. If she truly thought differently, she never would have put herself in the position that she did: In close, romantic proximity to one Logan Echolls. The fact that she did do so shows that the girl has skills of self-delusion like nobody's business.
As they moved to the dance floor, Logan made his little quip and then just stood there, even going so far as to put his hands in his pocket. From that line:
We could absolutely read that lack of expectation in his facial expression. And throughout the entire dance, we continued getting that running commentary from both of them. Veronica's slight hesitation before she completely put her arms around Logan's neck; Logan's shock that Veronica was actually dancing with him. And then their gazes locking on one another, then pulling away, Logan leaning down just the slightest, coming thisclose to touching his forehead to hers before pulling up and once more looking away.
Then Veronica's eyes drifted back up to his face, their eyes meeting for a second and then one or the other looked away. Back and forth, up and down as they swayed to the music, as the couples swirled around them but didn't exist. There were moments where you could feel the almost desperate need that Logan had to kiss her before he would look away, look up and after those moments you could see a vulnerable hurt in his eyes. Not a hurt caused by Veronica, but a hurt that blossomed inside of him for wanting something he could no longer have. Something he once had. And lost.
And now it ... she is here, once more, in his arms. Their eyes met again
However, here under and outside the spotlight, surrounded by the soft strains of a love song, in each other's arms for the first time in almost a year, Veronica received a mighty, mighty wake-up call. She tried. She may have had her arms around him, but her fingers were clutching her own, not daring to touch the warmth of his skin, encircle his neck. And she certainly tried to avoid his heated gaze, little boy vulnerability wrapped up in a sexy bad boy glow. Ah, but the music, the moves, the boy ... how could she resist? She couldn't. And so by trying to stop a little verbal bloodshed, do a good deed, a whole can of worms burst forth.
After this moment, this dance, Veronica Mars can no longer delude herself. And Logan Echolls once more has hope. What happens next? Tune in. I know I will.
- Jane joins Veronica and Wallace for lunch, giving her boyfriend a kiss on the cheek. But what's that uncomfortable look Wallace just hid? From Jane. Because it certainly didn't escape Veronica's notice. Jane congratulates Veronica on the F.B.L.A. winning the drawing to host this year's Sadie Hawkins dance, noting that the band made $3,000 last year. Veronica shows them her "over the moon" face, which, well, if that's her over the moon face, then what planet was she over when she had her happy-to-be-with Logan face last year? I'm thinking it had to be located in another galaxy.
Jane asks if Veronica's got anyone in mind to ask to the dance, but Veronica points out that she's flying solo for the foreseeable future. Not to sweat, though, because she's working the dance -- and not in a "you work it, girl" way as Wallace concludes, but in the way that she's taking couples keepsake photos. Veronica turns the conversation around to who Jane's thinking of asking. Jane's narrowed it down to a sweet band dork or an all-hands Nubian prince, which seems to perk up Wallace's spirits, or at least his ego. That is, until Jane starts to eat his cake, which is apparently a deal-breaker for him. Ladies, don't get between AirFennel and his sweets.
Later, Jackie and Wallace are sitting together in Mr. Wu's Study Hall, but it's possible they think it's a Chat Room because there's no studying going on. And it's not a Hall, so ... why is it even called Study Hall? Anyway, Wallace asks about Terrence and Jackie says he's slowly getting better. He's off suicide watch, but not eager to fully recover since he'll be swapping his guarded hospital room for a jail cell.
When asked how Jackie's coping with being alone, she explains to him that she's grown accustomed to it since she was eleven. That was when her mother started realizing the wrinkles forming around her eyes were going to cause an end to her modeling career and thus began the search for a wealthy man. A search which meant partying and traveling ... sans child. Feeling sympathetic, Wallace suggests they should hang out more. Jackie thinks that would be nice, but Mr. Wu interrupts them with the reminder that this is Study Hall and they should be, you know, studying.
Another day, same setting. Study Hall. While teasing Charlie, a developmentally delayed boy, a group of jackasses are checking out a girl walking by who is nearly bursting out of her tight sweater. Wallace also appreciates the view, which doesn't get past Jackie, who gives him a friendly hard time about it. Wallace flirts with her, suggesting she wear a similar sweater. Jackie notices the mean boys hassling Charlie, so she walks over to him, introduces herself and asks Charlie to the Sadie Hawkins dance. Effectively putting an end to the mean boys' fun. Charlie accepts Jackie's proposal and she returns to her seat. The best comeback one of the boys can think of is to blow a spit wad at Jackie. Fortunately, Wallace notices and advises against it.
At the dance, Jackie sees Charlie and his mother arrive and waves them over to her. Charlie's mom tells Jackie she's doing a really sweet thing. Jackie insists it's her pleasure and then takes the two of them over to Veronica and introduces them as Veronica takes a photo of Jackie and Charlie.
Across the room, Jane and Wallace dance as she complains to him that her mother recently gave her the "sex talk." Wallace is hardly paying attention to her, though, because he's too busy watching Jackie dance with Charlie. Jane, you know, his actual date, manages to get his attention back for a moment so that he can repeat his own mother's version of the "sex talk," which is short and sweet. "Don't."
As Jackie continues to dance with Charlie, his mother interrupts with an apology that it's time to get Charlie home. He tells Jackie goodnight and she sweetly kisses him on the cheek. After they leave, Jackie makes her own exit from the dance. Wallace notices and stops dancing with Jane, telling her he wants something to drink. She agrees and walks one direction while he chases Jackie outside. He stops her in the parking lot, asking her if she's okay. She tells him she's fine, but that it was sweet of him to -- sentiment interrupted by Wallace's lips. She pushes him off, asking about his date and apologizing if she gave him the wrong impression. Wallace, really not getting the message, asks her if she's saying she doesn't have feelings for him. Jackie tries to explain to him that she's trying to not be the kind of girl he's putting her in the position to be, then leaves him there to think about that.
Wallace is heading back toward the dance, when Jane angrily storms past him, telling him she's going to ride home with Kate. Wallace stops her to find out what's wrong. Turns out he's what's wrong. Or at least his wandering lips. Kate saw him kissing Jackie and Jane's understandably upset. Wallace apologizes, saying he was "messed up." Whatever the hell that means. Jane complains that Jackie is always hanging on him and wonders why he couldn't resist her. Wallace claims it was a weak moment and tells her he's really sorry. He holds his hands out for her and after some hesitation, she takes them.
At school the next day, Jane and Jackie cross paths. Jane informs Jackie that she used to think everyone was wrong about her. Emphasis on the past tense. Jackie really doesn't have a response, except sad resignation.
Outside, Jackie sits alone while Wallace stares at her from another table. Jane sits with him, notices him staring and points out that Jackie would have friends if she didn't act like she was the most important person wherever she is. Wallace confesses that Jackie didn't kiss him; he kissed her. Jane, apparently wanting to live in denial, thinks that Jackie must have come on to him or something, but no, Wallace insists he just kissed her. He's sorry and doesn't want to hurt Jane (too late!), but he still has feelings for Jackie.
Wallace approaches Jackie at her table of solitude and lets her know he broke up with Jane, then asks if she's going to invite him to sit with her. Jackie won't, because even if Wallace is single and likes her, him sitting with her will only prove to everyone that she's a man-eating bitch who stole him from one of the sweetest girls in school. So she asks him to leave, which he sadly does.
- Mac and Beaver are holding hands and walking down the hall, when Beaver stops to stare at the banner hanging before them. "Spring Fling. Sponsored by F.B.L.A. Ladies!! Buy Your Tickets! Don't Forget! It's Sadie Hawkins." Beaver lets out a dreamy little sigh, glancing sideways at his girlfriend. He jokingly laments that she must be ashamed of him because of the age difference between them. Mac laughs and punches him in the arm, surprised that he'd want to go. He explains that he'd like to be asked, so she does and he accepts, saying that if it's no fun, they can leave early and go straight to the "good stuff." Mac fans herself at his sexy suggestion ... until he explains he's talking about going on Neptune's Best Pizza Quest '06, not the gutter-minded things she's thinking about. He smiles and walks away, but Mac? Her smile's faltering a bit.
Catching up with Veronica in the school hall, Mac preemptively apologizes for the awkward conversation to come. She needs some advice from her "worldly" friend. About boys. Or rather about one not-very-frisky boy. It seems that Beaver and Mac do occasionally make out, but that's about it. Although she's not very experienced in the land of dating, she's of the impression that after four months, there should be a little more action, as in the under the bra type of action.
Consulting her Idiot's Guide to Wanton Behavior, Veronica asks for a little more information on what kind of action has happened. Handholding, kissing with the occasional tongue, check. Ass-grabbing, not happening, unless you count Beaver brushing dog hair off of Mac's pants. Mac asks Veronica if she thinks it's a bad sign or at least weird. Trying to reassure the girl, Veronica agrees that while it's a little out of the ordinary, it doesn't necessarily mean it's bad. Mac asks her again if she thinks it's weird. Veronica can't answer, which Mac takes as confirmation.
At the Spring Fling, Beaver and Mac slow dance as he complains that no amount of decorations can make the school gym look attractive. Mac, however, is enjoying the moment. Later that night, as the young couple leave the dance, Beaver complains that it was sucktastic, so Mac suggests they take things back to his place where they can be alone together, with no parents to worry about. Beaver becomes visibly uncomfortable and reminds her that Dick is there and stammers that he doesn't really feel like dealing with his brother.
Mac points out that if they stay in his room, they won't have to deal with Dick. Beaver's silent and looks really sad and a little ... broken? Noticing the look on his face, Mac gives him a sweet little kiss. He still looks just desperately sad, so she gives him a tender hug, then lets him off the hook by reminding him that they still have eight stops left on Pizza Quest '06. Beaver starts to try to explain, but can't manage anything but repeating that Dick would be there. Confused and disappointed, Mac watches as he walks away.
Beaver and Mac sit side by side eating their lunch at school the next day. The mood is quiet and tense, until Mac can't take it anymore and puts her lunch aside to ask him if he's not attracted to her. Beaver acts confused by her question, so she nervously asks him why he doesn't want to "do stuff." He tells her he doesn't want to talk about it there, but she presses on because they have to talk about it sometime. She tries to reach out to him, telling him that she gets nervous, too, that she doesn't know what she's doing either. At this, Beaver gets defensive and insists that he knows what he's doing.
Mac backpedals a little, focusing on her own lack of experience, but Beaver continues to insist that they have to stop talking about it. Mac starts to repeat some of her conversation with Veronica, but at the mention of her name, Beaver gets angry that Mac was talking to her about them and demands to know what she told her. Mac says it wasn't about him, but about herself, trying to make sure that she wasn't doing anything wrong. Beaver informs her that she wasn't doing anything wrong before, but she is now. And with a cold remark, "Good luck getting laid", Beaver walks away, leaving Mac confused and a bit crushed.
- Logan sits in Woody's office, an insanely bored intern. He plays a little with a baseball and then gets up and starts looking around. And what does he come across? Woody Goodman's signature stamp. Score! After looking around to make sure no one's watching, Logan picks it up and gives it a try, stamping Woody's signature on a notepad. Then he pockets the "autograph." A little keepsake of his internship? Hmm. I think not.
Later, at the Sheriff's office, Lamb complains to Sacks that he's late because someone has taken his parking space. Again. Sacks informs him that they received a letter stating that the new Deputy Commissioner requires the parking space because he's handicapped. Hmm. Is the inability to see the fugliness of that argyle sweater really a handicapped condition?
- While Veronica takes couples photos at the dance, Logan and Gia are sitting together at a table, greeting students and selling tickets as part of their F.B.L.A. fundraiser. Gia thinks the dance is cool, but that it would be cooler if she had a date. However, she's proud of herself that she came alone. It means she's evolving. Into what, no one's quite sure.
Gia tells Logan that her dad likes having him at the office and that Woody even said Logan has "potential." Logan jokes that "underachiever" is the actual sentiment. Gia thinks the demolition ceremony will be fun and asks him if he's nervous and what would happen if he pushed the plunger and it didn't work? Logan suggests there would be total silence, then pointedly suggests they try to imagine it. Walking by, Veronica notices Logan's annoyance level rising. As anyone not named Gia would notice.
Continuing to prattle on throughout the evening, Gia lectures Logan on the merits of honesty in a friendship, accusing him of running from the truth. As Logan silently wishes for someone to beam Gia home, she continues to critique his character, pointing out that he uses sarcasm and anger to keep people at a distance. Veronica joins them as Logan agrees, pointedly telling Gia that it doesn't always work. Not catching the hint, Gia invites Logan to tell her his completely honest opinion of her.
Recognizing that Logan's about to verbally squash Gia like a tiny little bug, Veronica grabs his hand and says three little words that made 'shippers start to squee. No, not those three little words. (Give it time, folks.) "Dance with me," she says, and with that, he lets her lead him to the dance floor and away from pouting Gia, who no longer has a captive audience. And although Logan's dream of dancing to "I've Had the Time of My Life" has yet to come true, I'm sure there's a 'shipper or two out there who had no complaints about the song selection that played as Logan and Veronica "swayed" to the music together.
- Weevil was taking Algebra 2 last year...for the third time, according to Felix.
- Woody owns a fast food chain called Woody's Burgers.
- Jane is 17.
- Veronica works at her dad's office during her lunch period.
- Veronica and Keith watch Channel 5 Action News.
- The truck driver who witnessed the incident on the bridge and called 9-1-1 anonymously lives on 43rd and Euclid.
- How far we've come in just a few weeks. Remember the days of yore when we didn't even remember there was a season long mystery lurking in the background? When we would forget for weeks at a time that there was ever a bus crash, or that Logan had been accused of murder? Well, those days are long gone, kiddies. Welcome to the days without a mystery of the week. (Unless you count the disastrous choices made for Logan by the wardrobe department, because WTF? Death to argyle!) This week was chock full of info on the seasonal mysteries with nary a runaway bride or mysterious horrendously-acted blackmailer in sight. Buckle up, my friends -- it's gonna be a bumpy ride.
We open to English class where the winner of Woody Goodman's essay contest on the subject of "Freedom" is being announced with much fanfare. And the winner is? Why Logan Echolls of course! ("I'm sorry, did someone say my name?") The whole class enthusiastically congratulates him on his victory (well, almost the whole class) and as the period draws to a close, a group of sycophantic Hannah wannabes simper all over the conquering hero. Veronica takes a four second drive-by of the essay -- conveniently posted on the board all week -- and cannot wait to get all up in Logan's grill to.accuse him of plagiarizing Easy Rider? Weak, Veronica. Totally weak. Oh, just admit that you want him -- everybody knows that you do!
We head out to the quad where Weevil spies his old PCH cronies lunching and flashes back to misty, water-colored memories of a long time ago when he was in charge of the club and Felix was still alive. This particular flashback reminds Weevil that Felix had been making plans for his future after high school. Plans that included marriage, settling down, and "cranking out a couple of shorties." At the time, of course, no one knew about Miss Molly, but it is clear from Felix's expression that his plans all revolve around one specific girl. And as we flash back to Weevil in the present, it is clear that he's aware of the role that Molly played in Felix's plans now.
Veronica is across the quad chatting with Wallace and Jane about the upcoming Sadie Hawkins dance, when Veronica gets "the nod" from Weevil across the way. Weevil, predictably enough, needs Veronica's help. Veronica has apparently decided that having her own drinking game just isn't cutting it anymore, and instead she demands $50 for every time someone asks her for help. Weevil keeps talking, but Veronica assures him that she really wasn't kidding -- it's gonna cost him $50 if he expects her to keep listening. Weevil, however, knows our girl-wonder better than she knows herself. He tells her that he's counting on her curiosity getting the best of her -- and after several moments of deep thinking, Veronica pouts, stomps her feet and damn's her curiosity all to hell, because it does get the best of her. And he didn't even need a head tilt!
Weevil tells her that Thumper killed Felix and he needs her help to prove it. He needs her help because Thumper has something on him -- a video on his cell phone. Veronica, clearly thinking along the lines of hot tubs and popsicles, is somewhat surprised to hear that Weevil wasn't entirely honest with her about how he handled the "Curly situation." Okay, so she's not surprised that he wasn't entirely honest, and tries out the 'ole "shocker" hand gesture to emphasize her lack of shock. The gesture she ends up doing looks more like "scout's honor," as Weevil points out to her, because she clearly isn't as well-versed in vulgar hand gestures as Logan.
The deets that Weevil left out regarding the "Curly situation" were that he was not the only PCHer to get an anonymous call that Curly sent the bus off a cliff to kill Cervando for scamming a couple grand from Liam Fitzpatrick. We flash back to Weevil's memory of that fateful night: He's kicking the crap out of Curly, who is swearing through bloody lips that it wasn't him -- but he knows who did it. Thumper, who is recording the whole event for posterity on his cell phone, notices as a car across the parking lot rumbles to life. As the headlights go on, the PCHers make a break for it, leaving Curly broken, but alive, in their dust.
We flash back to the present and Veronica reminds Weevil that he told her he didn't believe that Curly was responsible for the crash. Weevil concurs and Veronica is puzzled, because then why did he kick the crap out of Curly? Weevil says that his boys were ready to act as judge and jury, and send Curly over a cliff as punishment. By taking charge of the situation, Weevil hurt Curly, yeah, but he also managed to save his life. Veronica has one last question for Weevil -- did he happen to notice if Curly had her name written on his hand during the beatdown? Sorry Veronica, no luck. Weevil makes it clear that Thumper has to go down for Felix's murder, and if it can't be the legal way, than he'll see to it personally. If Veronica wants to see it handled the right way, she's gonna have to help him.
In a quick flash to the season's current red herring of choice, we learn from Jackie that Terrance is finally off of suicide watch, but is in no hurry to leave his well-guarded hospital room for a cell at county.
Out in the parking lot, Veronica chases after Logan, throws him down on the hood of the LeBaron and has her wicked way with him. Okay, so I'm kidding, but isn't it nice to dream? Ahem. Anyway, Veronica chases Logan down in the parking lot and tells him that she needs a minute. He snarks that she'll need to call his assistant and asked to be penciled in. She's not biting -- at least not right away -- and instead tells him she needs him to do something for her. My mind takes a brief trip into the gutter.
Logan returns the serve with "Ask not what Logan can do for you, but what you can do for Logan." With that, my mind returns to the gutter for a nice long visit. Sigh. Oh, to be Veronica with that kind of an opening. I can think of quite a few things that I could do for -- and more to the point to -- Logan. With the express hope that he'd be willing to return the favor, of course. SIGH. *shakes head* Okay, I'm back. Sorry about that. Ahem.
Veronica asks him to tell her everything he remembers about the night Felix was killed. Excessively adorable verbal foreplay -- I mean, snarky banter -- ensues. (I know his mouth is saying that Veronica's a pest, but all I hear is "I wuv you beary much." Or it could be, "Let's have sex." Hard to say.) Logan tries to convince Veronica that he doesn't want to be bothered with this because he's off to shake hands, kiss babies and walk softly while carrying a big (ahem) stick as the Honorary Deputy Mayor.
Veronica is still not amused and snatches his keys away. Logan reminds her that he was cleared of all charges relating to the murder so he doesn't have any interest in pursuing this anymore because it's (follow the bouncing ball) not his problem. And once things are no longer important to him, the details start to get a little fuzzy. In fact, who is she again? (Hee!) Veronica is REALLY not amused and reminds Logan that if he doesn't help, Thumper is going to get away with killing Felix, framing Logan, taking over the PCH bike club, and cornering the high-school drug trade. (Damn! I know it's a life of crime, but when you put it that way, he is a rather enterprising young man. Perhaps he should speak at F.B.L.A. He'd put Dick to absolute shame.)
Veronica asks one last time if Logan remembers anything about the 911-calling good Samaritan. He only offers that the guy was Hispanic, and drove a truck with a bumper sticker, which is no help at all. Veronica gives up and sends "Deputy Dog" on his merry way. But as we watch Logan walk away, he offhandedly says that he's pretty sure it was a San Diego Seafood truck -- and he'd probably recognize the guy if he saw him. See VERONICA? He's not useless, he just wanted to make you work for it a little. It's all about the banter, ya know? As a wise man once noted, "They quip because they love." Word.
We flash to Mayor Woody's office where he's on the phone trying to convince someone that Father Fitzpatrick is blowing something about the incorporation plans out of proportion because, for one, there will be increased police and security. And the property values will bounce back. For real! Woody's America's Next Top Model secretary Bev interrupts to let him know that his honorary assistant has arrived. Pleased as punch, Woody details the publicity he'd like Bev to set-up ASAP so that they can get some good PR out of it. That is, until he realizes that Logan Echolls is the winner of the essay contest. All of the sudden, photo ops with the son of a alleged murderer who was also recently charged with murder isn't looking quite as good as it had moments before. Cancel that order, Bev!
Woody makes all the right noises, congratulates Logan on his powerful essay ("Came right from the heart, sir." Ha!) and welcomes him to the fold. No sooner does Woody swear Logan in, than Logan excuses himself to go and fire Lamb. Double ha! with a side of "I wish." Woody banters that perhaps personnel issues should wait until Logan's a bit more up to speed. He reminds Logan about the Incorporation Plan, which Logan says he fully supports and that he's decided to put his considerable weight behind it.
In fact, he proposes that they take it one step further and erect a wall around Neptune proper -- to keep the riffraff out. Heeheehee! Woody suggests that rather than visiting local community centers, Logan start with sorting the mail into pro and con incorporation piles. Logan is less than pleased with this assignment, but Woody reminds him that it's better than pulling a drive through shift at Woody's burgers. Logan comes right back with "I wouldn't know sir. You're the one who's served 20 billion." And then he twinks! *choking with laughter* (Seriously, Jason Dohring is rocking so hard in this episode!)
Keith arrives at Woody's office moments later, and he and Logan share a brief but awkward greeting. Keith goes into the inner sanctum where Woody pleads in a most determined way that Keith drop all of his other cases and focus solely on clearing the name of the greatest Shark to ever put on a uniform. (Bruce!) Keith, as much as it hurts his fanboy heart, reminds Woody that Terrance broke into Ms. Dumas' house.
Doesn't that give him pause? No, although not for any concrete reasons, but because he knows the quality of Terrance's character. Now, um, I'm not trying to throw stones or cast aspersions, and God knows I like Terrance and he's pretty to look at -- but hanging your hopes on the "character" of a man who's a well-known skirt chaser with a serious gambling addition seems like a really stupid decision for a savvy politician.
At that moment, Logan enters the room with something he's pretty sure that both Woody and Keith will want to see. Amongst the mail Logan was sorting, he found a DVD with no return address. The DVD, when played, is footage from inside Woody's home. The camera pans around the living room, passes over the doors to the patio, and heads down the hall, passing a number of photos of what appears to be Woody's little league teams. And finally, at the end of the hall, the camera lingers on the dining room table where Woody is eating dinner with his family. Seriously creepy! I mean, it's one thing to know that someone was in your house. It is entirely another to discover that you were there when it happened and didn't even know!
Later that night, our favorite LoVers are hanging out in the LeBaron at the San Diego Seafood Company loading dock, on a stakeout (squeeeee!), looking for the elusive witness to Felix's murder. Logan comments that stake-outs always seem sexier in the movies. Veronica, silly girl, passes up yet another perfect moment to have her way with Logan (sigh) and instead asks him about Hannah. I'm sorry -- WHAT? Yeah, you heard me.
Her response to sexy Logan banter was "So, have you heard from Hannah?" Double sigh. The only upside to this moment is Logan's response: "Does deafening silence count?" And to that, I say a mighty hallelujah. Considering Logan's very blas comment, it is so clear that he isn't pining over Hannah. Whew! Then Logan and Veronica have a very strange yet adorable moment where Veronica comments that she's pretty sure when they start sending your girlfriends away, you are officially a "bad boy." And then she high-fives him! Weird, yes, but totally cute. Logan snarks that perhaps Dr. Griffith and Keith should go bond over bowling. Hee!
Can't they just give up the pretense and have sex already? I mean seriously. They so lurrrve each other.
At that inopportune moment, Logan spies the elusive 911 caller. They exit the LeBaron and approach the guy as he's loading his delivery truck. Veronica asks the gent if he perhaps remembers an incident on the Coronado Bridge from last May involving her friend, Logan? The guy swears he remembers no such thing -- he's not their witness. However -- hypothetically speaking, of course -- based on the fact that he lives smack in the middle of PCHer country, if he had been there and seen anything, he might have decided to keep his mouth shut in an effort to protect his wife and daughter.
Logan's pissed because the last seven months of his life have been hell because the "witness" was too busy protecting his own ass. The witness is unfazed because, first off, he might have been the guy that SAVED Logan's life. And second, no rich white boy from the '09er zip code is going down for murder in Neptune. So if that's all, he's Audi, thanks.
The next day at school, Weevil catches up with Veronica to find out if they found the witness. Yeah, Weevil, they did, but as Veronica points out, he's as good as no witness at all -- and he's no fan of the PCHers. (Now that Weevil is no longer running things, the bikers have taken a real hit in the image department.) By Veronica's count, they've got bupkis. Weevil has another angle to play: Molly Fitzpatrick. Weevil tells Veronica about Felix and Molly's relationship and plans for a lifetime of, ahem, "trucking their brains out," along with his hypothesis that Thumper killed Felix on Liam Fitzpatrick's orders as a condition of their new business arrangement. He also speculates that perhaps Thumper was the one that outed Molly and Felix to the Fitzpatrick, making him the engineer of Felix's demise in more ways than one.
Weevil approaches Molly at lunch and slams a cute yellow toy 18-wheeler down on the lunch table. He tells Molly that he found it in Felix's shop locker and assumes that it has something to do with her and Felix's talk about the future. Except, see, it's hard to be sure because Felix never mentioned her by name. Too bad her family had Felix put into the ground, right?
Molly snaps back that her family had nothing to do with it -- they weren't even on that bridge. It was either Logan or a PCHer, which, to her? Same difference. Weevil points out that it is a bit strange that Dr. Griffith, a guy under the thumb of her family, magically appears as the star witness in the case. And then he delivers the striking blow: He's pretty pissed off because in his mind, Felix died because he loved Molly, and Weevil's pretty sure she didn't give a damn about him. Molly denies it -- she loved Felix! Weevil screams at her that no, he loved Felix. And you can tell because he's the only one still interested in finding Felix's killer. Game, set, and match, Weevil.
Later, over at the River Styx, Molly is contemplating the bar and Felix's toy truck while Liam and Danny Boyd play pool. Liam comments on the fact that Molly's kind of out of it, which she attributes to a crap day. She tells them that she's upset that Logan isn't doing time for murder and wonders aloud about what happened to Dr. G and his testimony. Liam's suspicions are immediately aroused and he's not placated by Molly's protest that she only brought it up because she never trusted the good doctor.
Liam gets up in her face and yells that she better not be mooning over the dead "half-breed" because Felix had just been using her. According to Liam, Felix talked all sorts of smack about her and treated her like his whore. I feel so sorry for Molly in this moment because I'm sure she's not sure whom to believe -- her family, or the boy that she loved ... the boy that died.
We flash over to Veronica's room where she and Weevil are listening to this very same conversation courtesy of Veronica's spy gear. Aha! The toy truck was bugged with a listening device -- very sneaky, you guys. Liam continues by saying that she should be glad that Felix is dead. And if her dad weren't still in prison, he'd have done it himself. It isn't exactly a confession, but it's damn close.
As Weevil goes to leave, he and Veronica discuss the repercussions of sharing the information with Lamb. Weevil says that he's willing to take the chance that Thumper will counter with his cell-phone video of Weevil dispensing justice, if it means that Thumper will go down for Felix's murder. Weevil also points out that he's fairly certain that Thumper made up all of the "trash talking" that Felix did about Molly in an effort to piss Liam off.
The next day, Weevil and Veronica are in the neighborhood, so they drop by the Sheriff Department to help Lamb solve a murder case. Veronica shares the tape of Liam Fitzpatrick's sort-of confession about arranging Felix's murder, and tells Lamb that Thumper was the one who wielded the knife on Liam's orders. Veronica points out that since they've so nicely dropped all of this info in his lap, getting some admissible evidence is the least he can do.
Lamb disagrees and shows exactly how much of a prick he is when he tells Veronica that, actually, there is less that he can do. Like, um, nothing. Weevil is none too thrilled by this turn of events and is getting desperate for justice -- he's ready to move on to Plan B. Veronica asks him to be patient just a little bit longer -- there's a woman she needs to talk to that may help their cause. Weevil doesn't agree, and reminds her that patience is not one of his virtues. (Right there with ya on that one, Weevil.)
We head over to Woody's office, where Keith has arrived, DVD in hand and a revelation on his tongue. They pop the video into Woody's computer and Keith points out a couple of seemingly innocuous details: The video was taken when it was dark out, and according to the wall clock, it was taken at approximately 5:30 p.m. From this Keith concludes that the video was probably taken in November or December, prior to Woody going public with his Incorporation Plan. And now he has to wonder if this isn't about the incorporation, what other reasons might someone have to rattle the Woodster? No one comes to mind, so Woody says he'll have to think about it. Okay, liar.
That night, we see Thumper pull up on his motorcycle in front of a church that we can only assume is St. Mary's. As he walks along the sidewalk, a hand lashes out from between two vehicles and covers Thumper's mouth and nose. By the way he collapses, one can only assume he was chloroformed. The perpetrator of this attack is none other than Weevil, who lays Thumper on the ground behind a large, white conversion van and relieves him of a brown paper bag that we can only assume contains either money or drugs. Weevil smiles the pleased grin of an evil genius: Clearly, everything is going according to plan. Except what Weevil doesn't know is that there were two small children in the back of the white van that witnessed the whole thing.
When we next see Thumper, he's meeting with a none-too-pleased Liam Fitzpatrick, who is understandably upset by the news that Thumper doesn't have the money. Thumper tries to explain to Liam that the money was stolen when he was jumped on his way into the church to make the drop. Liam points out that he doesn't seem to be injured in any way, which doesn't match up too well with his whole story of being attacked. Thumper tries to explain about being chloroformed, but at that moment, Danny walks in bearing a familiar brown paper bag. He tosses it to Liam and tells him that he found it hiding behind Thumper's gas tank. Liam opens the bag, and shows off the cash inside. As we pan over to Thumper, it is clear that Weevil's plan is working beautifully -- and that Thumper should be very, very afraid. Terrifyingly well played, Eli.
The next morning, we find Liam and Danny in what looks to be an empty public bathroom where they've tied Thumper up to a urinal. Thumper is pleading his innocence and swearing left, right, up and down that Weevil set him up, that Weevil must have found out about the church. Well, he did, little bunny, but I don't think that's gonna help ya now. Danny's laughing like the lunatic he is, while Liam crafts a gag.
Thumper swears that he'll get them both -- and that he's got something on Liam. (?!?!) But no sooner do those words leave his mouth when Liam stuffs it with a rag and tapes the gag in place with duct tape. Funnily enough, Liam comments that duct tape really is good for everything. Tru dat, Liam. Especially in this town! As the Fitzpatrick's leave the room, we hear loud horns of some persuasion in the background. You have to wonder if perhaps Liam and Danny have chosen old Shark's field as Thumper's final resting place -- and if they plan to just let the demolition crew do the dirty work for them.
Over at Keith's office where he is staring intently at his computer screen, Woody pops in to let Keith know that he doesn't need to work on that whole stalker thing anymore because the mystery has solved itself. Really! The Woodman would like Keith to believe that his former gardener was the perp, and that he confessed over a crisis of conscience. According to Woody, his wife fired this renegade gardener last fall when he killed the hydrangeas.
Apparently Mrs. Mayor is tough. Yeah, well, I'll buy that. You are weird and creepy, your daughter is oblivious and annoying, and your son is some kind of automaton. You guys are Neptune's very own Addams family. Anyway, Woody asks for the DVD back and Keith gives it to him. I think we all know Keith well enough to know that he clearly isn't buying Woody's story any more than we are, and that he's probably made himself a duplicate copy of the DVD. Keith sees Woody out and asks Veronica to hold his calls while he retreats into his office to watch -- you guessed it -- his copy of Woody's stalker video.
Out in the office lobby, Mr. Mystery Witness comes into Mars Investigations and surrenders to Veronica. Apparently she went to his wife about his involvement in the incident on the bridge, and it sounds like the wife made him come forward. Veronica and Mr. Witness go to see Lamb, where he tells his story. He saw one of the PCHers stab another one of the PCHers and then put the bloody knife in Logan's hand. And although he couldn't see the faces of any of the bikers, the one that stabbed Felix fled the scene on a red motorcycle with a black spider on it. Lamb knows the bike and tells Sacks to issue a warrant for the arrest of Eduardo "Thumper" Orozco.
The day of the demolition has arrived, and the crew foreman finds Thumper's motorcycle chained up in the stadium, and immediately tells Woody about it. Of course, Woody's primary concern is that this isn't indicative that someone is still in the stadium. The foreman assures Woody that they blew the bullhorn a dozen times and his guys have done several walkthroughs. They decide that since it would take twenty or thirty minutes to get the bike out of there, they will move forward with the demolition as scheduled and someone is just going to have to lose a bike.
At the Mars apartment, Veronica and her dad are sitting down to watch Woody make his farewell speech to the old stadium, then flash back to the site where everyone applauds Logan as he walks on stage. Logan takes one look back at the old Stadium before resting his hands on the bar of the plunger, and then presses down to start the demolition. Cut to a terrified Thumper inside the bathroom listening to the nearby sounds of a chain of explosions.
We flash back to the Mars family living room where Veronica and Keith watch the stadium walls come tumbling down on TV. And then we see Eli 'Weevil' Navarro in a confession box imploring with a visage totally lacking in guilt, "Bless me father, for I have sinned." A chilling confession to a priest that may or may not be Father Patrick Fitzpatrick. We fade to black with the sound of children's laughter ringing ominously in our ears.
- Weevil, Felix and the PCHers sitting in the quad discussing futures. (Read detailed breakdown.)
- Weevil (along with the PCHers) kicking the crap out of, erm, I mean, 'saving' Curly. (Read detailed breakdown.)
"America the Beautiful" (Instrumental)
Scene: The American Flag waves via monitor as stirring strains to this beloved National classic float through the air as Logan Echolls is announced a winner ... for possibly the first time in his life.
"If I Were A Storm" (Wild Seeds)
Scene: Liam wants his beer, Molly wants her Felix and Danny wants to just play pool, but alas those Irish tempers flare and a'bickering starts. Temper, temper, temper.
"Lost Art" (Mere Mortals)
Scene: Couples move to and fro, sway (squee!) and swing at the Sadie Hawkins Spring Fling while Veronica clicks and snaps and Logan tickets and longs to snap.
"Dreamworld" (Stockton)
Scene: Wallace is taking a walk on the dark side, ignoring sweet, albeit plain, Jane to get some smackin' time with Jackie who's all: "Oh, no, you di'n't!!"
"Sway" (The Perishers)
Scene: Mac and Beaver, yada, yada, yada, Annoying Gia, yada, yada, yada ... Logan and Veronica! The dance. The looks. The tension. The LoVe!
"Gravity / Falling Down Again" (Alejandro Escovedo)
Scene: The Jets are gonna have their way tonight -- or rather today, as the Sharks Field Stadium goes kablooey!!
LoVe Lines
Veronica: Freedom. That's what it's all about. But talking about it and being it, that's two different things.
Logan: Phew. You came up all deliberate like, I thought you wanted to ask me to the Sadie Hawkins Dance, not recite my prize-winning essay.
Veronica: Neither, actually. I'm quoting Easy Rider, which you may remember making me watch last summer.
Logan: That's funny, it sounds a lot like my essay.
Veronica: Yeah, weird. (She looks at him a moment longer, while he takes the opportunity to check her out.)
Veronica: Hey, I need a second.
Logan: I'm sorry, I can't be late for my first day. Call the count court house and ask for the assistant to the honorary deputy mayor and have them pencil you in.
Veronica: I need you to do something for me.
Logan: Veronica ... ask not what Logan can do for you, but what you can do for Logan.
Veronica: That's gonna get real old soon.
Logan: Let me know when that time comes. Until then, you know me, I'll just be speaking softly and carrying a big stick. (Logan throws his keys in the air and Veronica catches them before he can.) God, you're a pest.
Veronica: Tell me everything you remember about the night Felix was killed.
Logan: You do know I've been cleared of all charges. the whole 'dead Felix' business has lost its intrigue for me. Once something stops being important to me, my memory gets a little fuzz -- (Looks away and then back at Veronica.) -- wait, who are you?
Veronica: The murder is still unsolved.
Logan: And yet, somehow I sleep like a baby.
Logan: Veronica's Le BaronSo this is staking-out, huh? It looks sexier in the movies.
Veronica: (After a few moments of silence.) Did you hear anything from Hannah?
Logan: Does deafening silence count?
Veronica: You know I'm not sure, but I think when they start shipping your girlfriends off, you're officially a bad boy. (Holds hand up for high-five)
Logan: (High-fives her.) Her dad and your dad should get together and go bowling.
Logan: (To Veronica.) Follow the bouncing ball (He mimes a bouncing ball over words with his finger.) Not my problem. (Veronica acts like she's going to give him his keys, but then pulls them at the last moment.)
Veronica: You don't remember anything about the guy who stopped and helped you, the 9-1-1 caller?
Logan: (Thinking for a moment.) Mexican dude driving a truck. Oh, his truck had a bumper sticker. It said: How's my driving? Call 1-800-EAT ... something.
Veronica: Thanks. Well, (Offers his keys to him as if on a silver platter and then pulls them back quickly) run along, Deputy Dawg. (Throws his keys in the air and Logan catches them.) Serve your community. (Logan presses his keys to his lips and Veronica can't help the small smile that crosses her face.)
Gia: Tell me what you think about me. (Smiles and readies herself.) Seriously. Be completely honest. (Logan takes a breath and turns to Gia to let her have it.)
Veronica: (Quickly grabs Logan's hand.) Dance with me.
Logan: (Letting himself be pulled away.) Ohh. (Gia pouts. Veronica leads Logan on to dance floor.) When I dreamed of this moment, "I've Had the Time of My Life" was always playing. (Veronica faces him.) Mm, what can you do?
Quotable Quotes
Mrs. Murphy: Grand prize winner of Woody Goodman's freedom essay contest is ... Logan Echolls!
Logan: I'm sorry, did someone say my name? (He said with a Cheshire grin.)
Jane: I heard the FBLA won the drawing to host the Sadie Hawkins Dance. Dances are the best fundraisers. The band made like three grand last year.
Veronica: (Deadpan.) This face, right here: (Drawing a circle in the air with her finger around her face.) My over the moon face.
Veronica: I'll be working it, though --
Wallace: You work it, girlfriend.
Veronica: Anyone on your radar?
Jane: Well, I've got a dilemma. I'm torn between this sweet band dork and this all-hands Nubian prince.
Veronica: Ooh, tell me about this sweet band dork.
Weevil: I need your help.
Veronica: Ah, if I had fifty bucks every time someone said that ...
Weevil: Look, I know it's a drag being you, and --
Veronica: No, seriously, I'm gonna need fifty bucks if you expect me to keep listening.
Weevil: Well, I'm banking on curiosity getting the better of you. (Veronica walks away, stops and looks back at him to briefly glare before turning away again. She stands still while Weevil looks from left to right, appearing as nonchalant as can be. Veronica stews for a few seconds before doing the, what I will call, 'Veronica Mars Dance of Frustrated Curiosity.')
Veronica: Alright, tell me. (Walking back towards him, scowling.) Damn my curiosity.
Veronica: You told me you didn't believe Curly caused the bus crash.
Weevil: I don't.
Veronica: But you beat him anyway?
Weevil: No, I saved his life. My boys wanted to send him off a cliff behind The Road Hog.
Veronica: Don't suppose you noticed whether Curly had my name written on his hand while you were 'saving his life?'
Weevil: No, uh, but the cameo he was wearing looked a lot like you.
Mr. Woo: (To Jackie and Wallace, deep in conversation.) This is Study Hall. Do you know what we do in Study Hall?
Jackie: Gimme a minute, I think I know this.
Mac: What are you doing?
Beaver: Uh, I'm just standing here wondering what I have done to make you ashamed of me. It's the age thing isn't it. Me, in my full blush of youth and you, in your advancing years.
Mac: I'm standing in the hall holding your hand, dork wad. You don't really want to go to that thing?
Beaver: Well, I'd like to be asked.
Mac: You want to go to the big dance, Cassidy.
Beaver: Was that so hard? Yes. And, if the dance blows half as much as I'm guessing it will we can cut out early and go straight to the good stuff.
Mac: Oww, My!
Beaver: I'm talkin' about Neptune's best pizza quest '06. YOU, get your mind out of the gutter.
Woody: Alright then. First things first, let's make it official ... Bev, do you have that Bible handy? Your left hand, please.
Logan: (Placing his hand on the bible, Logan pulls it back quickly as if in pain.) Oww, that burns. (Pausing.) Just kidding.
Woody: I, Logan Echolls, do solemnly swear to faithfully execute, the office of Honorary Deputy Commissioner of Balboa County, California.
Logan: I do! (Walks away.) Now, if you'll excuse me.
Woody: Where are you going?
Logan: I'm going to fire the Sheriff.
Woody: Hee, Hee, Ha! Let's save personnel changes till after you've warmed up a bit. Now I'm sure you are aware that I have introduced a bill proposing the incorporation of Neptune.
Logan: I'm glad you brought it up. I'm backing the plan, in fact, I'm throwing my considerable weight behind it. I say, we take it a step further and erect a wall around Neptune proper, keep the riff-raff out. Do you want me to visit some of the local community centers, sell them on it?
Keith: Logan?
Logan: That's Honorary Deputy County Commissioner Echolls, to you.
Keith: Ha, Ha. (So not amused.)
Witness: Guy like me, who's got a wife, and a five-year-old daughter? I think he's better off keeping his mouth shut.
Logan: Covering your own ass has made the last seven months of mine hell.
Witness: That's one way of looking at it. Now here's another. If it was me who stopped, chased off the bikers, and called 911? I guess I'd be the guy who saved your life.
Logan: I was planning on sending a fruit basket from prison.
Witness: A rich, white, son of a movie star getting convicted in Neptune? I'd say your future's safe.
Weevil: Awhile back I found out Felix and Molly had a thing. It got serious, sneaking around, talking about a lifetime of trucking their brains out.
Veronica: Good golly, Miss Molly.
Mac: This serves as a preemptive apology for the conversation that's about to take place. Okay. And ... Beaver and I, occasionally, you know, uh, make out.
Veronica: Umm. I made out once. Back in the day. I think he had me pinned up against a woolly mammoth.
Mac: So not that I'm an expert in this sort of stuff, but four months, typical high school boy, there should be some ... under the bra action, no?
Veronica: Let me consult my Idiot's Guide to Wanton Behavior. Basically you're asking me because I'm the sluttiest person you know?
Mac: Um, "slutty" is your word choice. Mine was "worldly."
Molly: Felix got stabbed on the bridge, nobody in my family was even there. It was Logan Echolls or it was a PCHer. Doesn't much matter to me which. Same scum, different wardrobe.
Jackie: Did you just check that girl out?
Wallace: I was admiring her sweater.
Jackie: Her second-skin, rack-magnifying sweater?
Wallace: I love the fabric.
Woody: So are you excited about the demolition ceremony?
Logan: Uh, nervous, actually. Someone's going to have to walk me through it step-by-step.
Woody: Uh huh.
Logan: Now, uh. Push down, right? (Mimics pressing plunger)
Keith: (Entering the apartment to discover Weevil talking to Veronica.) Eli. Veronica. Don't tell me -- lab report?
Veronica: History exam. Roman history. Man, that Caligula. (Rolls her eyes and whistles.)
Deputy Sacks: (Ushering Veronica and Weevil into Lamb's office.) Sheriff will be in in a minute, he's just running a little bit --
Lamb: (Interrupting Sacks from outside the office) Sacks!
Sacks: Guess he's here.
Lamb: (Entering the room) Someone took my parking space. Again.
Sacks: Uh, yeah. We got a letter? I guess the new Deputy Commissioner needs it. I guess he's handicapped.
Lamb: (To Sacks.) Look up Eli Navarro. There's gotta be something outstanding we can book him on.
Weevil: Oh, if I did it? It's outstanding.
Lamb: Still picking winners, huh, Veronica? (Gives her the sarcastic thumbs up.)
Veronica: I told you -- when I start picking losers, it's all you. We were just in the neighborhood, thought we'd drop by, solve a murder case for you.
Lamb: Well, bonus points for bringing the perp along. (Gestures to Weevil, who smirks appropriately in response.) So who's the deceased?
Veronica: Eduardo Orozco killed Felix.
Lamb: Thumper. But he's got such a cute nickname.
Weevil: He's dealing on campus for the Fitzpatricks now.
Veronica: (Pulls out a mini-cassette recorder.) Here's proof that they're working together. Liam Fitzpatrick practically confesses to orchestrating Felix's death on this tape. (Plays surveillance tape for Lamb.)
Lamb: Imagine how helpful that recording would be if it was obtained legally. Not to mention an actual confession.
Veronica: (Holding the micro-cassette recorder out to Lamb on her palm.) Note the absence of a silver platter. This was more to steer you in the right direction than to, say, do your job for you. (Pauses.) Actually, it was doing your job for you. Getting admissible evidence seems like the least you can do. (Pushes the recorder across the desk to Lamb.)
Lamb: (Pushes the recorder back, smirking.) There is less I can do. Trust me.
Weevil: You know, an '09er could come in here with tea leaves and a Ouija board and they'd send out a SWAT team! It's time for plan B.
Veronica: Not just yet, Dirty Harry.
Weevil: In case you haven't noticed, I ain't no Mick cop.
Veronica: Uh, okay. Dirty Sanchez? (Side note: Eew, Veronica, see Social Sciences) Just give me a few more hours. There's a woman I can talk to and luck might be a lady tonight.
Weevil: Patience ain't one of my virtues, Veronica.
Veronica: Ah, we always want the bad boys. (Camera zooms across the room to Veronica's favorite bad boy at the ticket table. Coincidence? I think not)
Logan: (Sitting at the ticket table with Gia and talking to guests at the dance.) Don't worry gang -- if she's a two at ten, she'll be a ten at two.
Gia: So, my dad likes having you at work. He says you've got potential. (To herself.) I think that was the word.
Logan: Well, potential is the word, but underachiever is the sentiment.
Gia: Ha ha. The demolition ceremony's gonna be fun. What if (Logan looks heavenward for help.) you push the plunger and nothing happens?
Logan: You mean like if there were total silence. (He looks directly at Gia.) Let's try to imagine it.
Jackie: Wallace, the girl you're trying to make me right now is the girl that I'm trying really hard not to be. So knock it off.
Thumper: It's Weevil! I'm telling you, man! He set me up! He must have found out about the church somehow.
Danny: (Laughing and slapping Thumper's chest.) Oh, yeah, yeah, yeah, yeah. Thumper! (Pats Thumper's head.) Argh!! (Beats his own chest.) You gotta man up.
Thumper: You're gonna get yours. Both of you. (Looks at Liam.) I got something on you.
Liam: (Stuffs paper towels in Thumper's mouth and tapes it shut as he and Danny laugh.) Oh, duct tape. Is there anything it ain't good for?
Lamb: Just so I've got this straight, you saw one PCHer stab another PCHer and put the knife in the Echolls kid's hand?
Witness: Yeah, that's what I saw.
Lamb: Could you identify the guy if you saw him again?
Witness: I couldn't make out faces, but the one that did the stabbing took off on a red motorcycle with some kind of black spider on the side.
Lamb: I know the bike. (Over the intercom to Sacks.) Sacks, issue a warrant for Eduardo "Thumper" Orozco. I want him tracked down now.
Wallace: I broke up with Jane. (Waits for a reaction of some kind from Jackie.) So are you gonna ask me to sit down?
Jackie: No. (Wallace looks confused.) You can't sit here Wallace! Do you not see that?
Wallace: Why not? I'm free now. You know I like you. There is nothing stopping us.
Jackie: If you sit here it proves that I'm the man-eating bitch that snatched you from one of the sweetest girls in school. I won't have that. Now go. (Wallace goes to speak and Jackie cuts him off.) Please, Wallace. Leave.
Gia: For a friendship to work, you have to be completely honest. Which is something I have absolutely no problem with. But you ... you run from the truth.
Logan: (Tightly.) Only when it's chasing me.
Gia: Do you know what I think? (Logan looks to the heavens for help.) I think you use sarcasm and anger as a way of keeping people from getting too close to you. (Veronica walks up, looking through photos, noting the conversation.)
Logan: I do. (Looks pointedly at Gia.) But it doesn't always work.
Mac: Is it me?
Cassidy: (Glances down at his lunch, looking confused.) No, it's the tater tots.
Mac: Are you not attracted to me?
Cassidy: Wait -- what?
Mac: (Hesitantly) Why don't you wanna, ya know like, do stuff?
Cassidy: Can we please not talk about it here?
Mac: We have to talk about it sometime. I get nervous too. Like when we're just hanging out it's totally comfortable and cool, but then it feels like there's all this pressure, and I don't know what I'm doing either.
Cassidy: (Clearly embarrassed.) I know what I'm doing.
Mac: I'm not saying you don't!
Cassidy: Well, it sounded like you were.
Mac: I'm saying I don't. So if you don't either, or you feel nervous ...
Cassidy: We have to stop talking about this.
Mac: Veronica says that all guys move at different speeds and that this could just be ...
Cassidy: (Cutting her off and clearly mortified.) You talked to Veronica about me?
Mac: (Stutters) No. I mean ...
Cassidy: What did you say to her?
Mac: Nothing. It was more about me. I just wanted to make sure that I wasn't doing something wrong.
Cassidy: (Clearly angry.) Well, you weren't, but you are now. Good luck getting laid.
Weevil: (In a confessional) Bless me father, for I have sinned. It's been a long, long time since my last confession ...
Rushmore ... (Referenced by Logan's "I'm sorry, did someone say my name?" moment.)
Rushmore is the 1998 film directed by Wes Anderson. Jason Schwartzman plays Max Fischer, a precocious and sarcastic 15-year-old whose reason for living is his attendance at Rushmore, a private school where he's not doing well in any of his classes, but where he's the king of extracurricular activities -- from being in the beekeeping society to writing and producing plays, there's very little after school he doesn't do.
His life begins to change, however, when he finds out he's on academic probation, and when he stumbles into love with Miss Cross, a pretty teacher of the elementary school at Rushmore played by Olivia Williams. Added to the mix is Max's friendship with Herman Blume (Bill Murray), a wealthy industrialist and father to boys who attend the school, and who also finds himself attracted to Miss Cross. Max and Herman go mano a mano in a battle of wits and wills in an effort to determine who is more worthy of Miss Cross' affections.
Easy Rider ... (Referenced by Veronica to Logan in reference to lines from his essay.)
One of the seminal films of the 60's, Easy Rider -- made in 1969 -- is a road movie directed by Oscar-nominated actor Dennis Hopper. The film tells the story of two young men, Wyatt (Peter Fonda) and Billy (Dennis Hopper), who "went looking for America but couldn't find it anywhere."
Sadie Hawkins ... (Referenced as the dance featured in the episode.)
Sadie Hawkins or Sadie Hawkins Day is an American folk event that made its debut in Al Capp's, "Li'l Abner" comic strip November 15, 1937. Sadie Hawkins was deemed "the homeliest gal in the hills" and she grew tired of waiting for a gent to come courting. Her father, Hekzebiah Hawkins, was even more worried about Sadie living at home for the rest of his life, so he decreed the first annual Sadie Hawkins Day. Its main event was a foot race in which the unmarried gals pursued the town's bachelors, with matrimony as the prize or for some unfortunate fellows, the consequence.
By the late 1930's, it became a woman empowering rite at high schools and college campuses, long before the modern feminist movement gained prominence. The basis of Sadie Hawkins Day is that women and girls take the initiative in inviting the man or boy of their choice out on a date, typically to a dance attended by other bachelors and their dates.
Note to self: Don't ever let father determine method of husband selection, ever.
FBLA (Referenced by Jane as she mentions who won the drawing to sponsor the dance.)
The (for some reason) ultra-trendy elective class for the 09ers -- I mean, seriously, WHY are Logan and Dick (DICK!?!) in this class? -- has its origins in the FLBA-PBL, i.e., the Future Business Leaders of America-Phi Beta Lambda. It's an international career and technical student organization with headquarters in Reston, Virginia. The organization is non-profit (again, DICK?!?) and designed to help high school, middle school and college students transition to the business world. (For the last time ... DICK!?!)
Shocker ... (Referenced by Weevil when attempting to correct her hand gesture.)
The Shocker is a gesture meant to indicate a sexual act, wherein the first and second fingers enter the vagina, while the errant pinky plunges into the anus; hence the "shock."
Scout's Honor / Scout's Sign ... (Referenced by Weevil when he points out Veronica's not actually making the "shocker" symbol with her hand.)
The Boy Scouts of America is the largest youth organization in the United States. Since its incorporation in 1910, membership has totaled more than 110 million. The organization educates boys and young adults in participatory citizenship, physical fitness and personal development through community service and leadership. Various divisions of the Boy Scouts of America include the Cub Scouts for boys who are 7-10 years old, the Boy Scouts for boys aged 10-17 and Venturing for young men and women aged 14-21.
"Scout's Honor" is a shorthand description for the Scout Sign and Oath. The Scout Sign, as loosely demonstrated by Veronica, is made by holding one's arm out to the right, hand pointing upwards, palm out, with the thumb holding the pinky down, so that the middle three fingers are the only ones pointing up. While holding the hand in this position, a scout pledges the Scout Oath: "On my honor I will do my best to do my duty to God and my country and to obey the Scout Law; to help other people at all times; to keep myself physically strong, mentally awake, and morally straight." The Scout Law referenced in the Oath is "A Scout is trustworthy, loyal, helpful, friendly, courteous, kind, obedient, cheerful, thrifty, brave, clean and reverent." The Oath and Law have not been changed since 1910.
Superman and the Fortress of Solitude ... (Referenced by Wallace when urging Jackie to get out every now and then.)
Traditionally located in the Artic (but more recently found in the Antarctic and the Andes Mountains), the Fortress of Solitude is the place where Superman can just be Superman without so much the "Super" part. The Fortress was introduced in Action Comic #241, The Key to Fort Superman in 1958. Quite the secret hideaway, only the Supe's closest friends and Allies (such as his lady love, Lois Lane) know of its existence. In keeping with its home away from home mentality, a trademark of the Fortress is a memorial statue of Jor-El and Lara, Superman's parents, holding a large globe of Krypton (his home world, destroyed shortly after his birth).
"Ask not what your country can do for you, ask what you can do for your country" ... (Referenced by Logan to Veronica when he says "Ask not what Logan can do for you....")
John Fitzgerald Kennedy, born May 29, 1917 and often referred to as John F. Kennedy, JFK or "Jack Kennedy," was the 35th President of the United States. He served from 1961 until his assassination on November 22, 1963. A member of the prominent Kennedy political family, he is considered an icon of American liberalism. At the age of 43, he was the youngest person to be elected president, and the second-youngest person to become president, behind Theodore Roosevelt (42 years of age). In rankings of U.S. presidents, historians usually grade Kennedy above average, but among the general public he is often regarded as among the greatest presidents.
Kennedy was sworn in as the 35th President on January 20, 1961. In his inaugural address he called all Americans to the duty as citizens. "Ask not what your country can do for you, ask what you can do for your country," he demanded. He asked the nations of the world to join together to fight what he called the "common enemies of man: tyranny, poverty, disease, and war itself."
Color me crazy, but I don't think that Logan was looking for Veronica to help him fight those particular enemies. For my money, I'd guess that Logan was hoping that what Veronica might "do" for him -- or more to the point, to him -- would be somewhat of a more prurient nature. But maybe I'm just fanwanking.
"Speak softly and carry a big stick" ... (Referenced by Logan when strolling with Veronica through the parking lot.)
Known as the originator of the "modern presidency," Teddy Roosevelt (1858-1919) was quite the innovator politically. His foreign policy motto was "speak softly and carry a big stick." Which roughly translates to, don't instigate a fight, but be sure you can defend yourself if one presents itself to you and make sure everyone knows that there is no doubt that you'll win the fight. Of course, Logan's use of the phrase, spoken to Veronica gives it a whole different meaning. We all know about Logan's alleged or should we say proven, sexual attributes. Live Large, Logan ... Live Large.
PCH (Referenced by Veronica as she mentions to Logan all of Thumper's recent accomplishments, including taking over the bike club.)
Pacific Coast Highway refers to sections of California's Route 1, beginning at San Juan Capistrano, south of Los Angeles, and ending where Route 1 merges with Highway 1 at Leggett, in Northern California. Route 1 is one of the longest (644 miles) and most scenic routes in California, providing breathtaking views of a large part of the Pacific Coast. It travels past dozens of historical landmarks and through such cities as San Diego, Los Angeles, and San Francisco.
Follow the Bouncing Ball ... (Referenced by Logan in talking to Veronica about Felix's murder.)
A technique used for children's sing-a-longs, in which the lyrics appear on the screen and a ball (generally red) bounces from word to word in time with the music so viewers can easily follow along.
Deputy Dawg ... (Referenced by Veronica when she calls Logan this during the fuzzy memory scene, as she allows him to take his keys.)
Cartoon character created by Larz Bourne and voiced by Dayton Allen. The Deputy Dawg Show was a part of the TerryToons animated series that was produced by CBS and ran from 1959-1972.
Deputy Dawg was a friendly, dim-witted canine Deputy Sheriff attempting to uphold the law and maintain order in the Mississippi bayous, while dealing with friends and opponents like Vincent "Vince" Van Gopher, Ty Coon the Raccoon, Muskie the Muskrat and Pig Newton.
San Diego (Referenced by Logan when he tells Veronica the witness on the bridge drove a San Diego Seafood truck.)
It is believed that the first humans settled in the San Diego area some 20,000 years ago, along the coast, and 12,000 years ago in the desert area. However, it was in 1542 that Portuguese explorer Juan Rodriguez Cabrillo sailed from Mexico into the Bay and claimed the area for Spain, naming it San Miguel. At the time, there were 20-30 thousand of the Kumeyaay tribe living there. In 1602, explorer Sebastian Vizcaino arrived on his ship, San Diego, and named the area for the Spanish Catholic saint, San Diego de Alcal. Then, in 1769, the first of a chain of twenty-one missions along the California coast was founded by Father Junipero Serra and the California Governor Gaspar de Portola. It was built on Presidio Hill and named Mission San Diego de Alcal. The first colonists arrived in 1774, and San Diego came under Mexican rule in 1821 when Mexico won its independence from Spain. Following that, in 1848, a treaty ending the war between the U.S. and Mexico set the official international border and declared San Diego an American city. Two years later, San Diego County was created and the City of San Diego was incorporated.
Today, with a population of around 1.25 million, San Diego is the second largest city in California and the seventh largest in the nation. According to the San Diego city website, more than 96 percent of the residents are employed, with a median family income of almost $40,000. The top industries are manufacturing, defense, tourism, and agriculture, with an additional focus on biotechnology/biosciences, electronics manufacturing, software, telecommunications, financial and business services, and defense and space manufacturing.
Located only seventeen miles from the Mexican border, with seventy miles of coastline and an overall land area of 342.4 square miles, San Diego is also home to many popular tourist attractions, such as Sea World, the San Diego Zoo, San Diego Wild Animal Park, Legoland California, and the Del Mar Thoroughbred Races. Professional sports teams include the San Diego Chargers (football), the Padres (baseball), and the Gulls (hockey). In addition to ten community colleges located throughout the county, the city is also home to San Diego State, the largest California State University campus, and the University of California, San Diego.
The Breakfast Club/"Her dad and your dad should get together and go bowling." ... (Referenced by Logan to Veronica during the stakeout.)
The Breakfast Club, made in 1985, is a motion picture written and directed by teen flick king, John Hughes. It is widely known as the coming of age film of the 1980's. The film follows a group of detention bound teenagers on Saturday, when they are forced to interact, regardless of clique or socio-economic background.
It has some pretty heavy hitter actors for the time, including Molly Ringwald, the 80's movie icon. This movie was refreshing in its honest portrayal of life as a teen outsider and life in the center of the popular teen dream. The realization is that they have a lot more in common than they thought. Each teen takes a lesson, a new relationship or an understanding about themselves from their day in the 'Breakfast Club.'
Logan references a line spoken by character John Bender (rebel without a cause), played by method actor, Judd Nelson. Logan's snark to Veronica about her dad and Hannah's Dad going bowling together was a direct shout-out to that movie. Logan shares his irreverent humor with that other bad boy, John Bender. Also, how fun is it to see that Logan hasn't really forgotten that Veronica's dad threw him out or that he felt they might not have broken up if Keith hadn't interfered? Dad's are great, but next time, let's hope Keith will dial down the physically of his interactions with Veronica's ex and future boyfriend, Logan.
Hey, you know it's true. All you need to look at is the chemistry.
Coronado Bridge (Referenced by Veronica as she confronts Luis about being on the bridge the night Felix was killed.)
The owners of the Hotel del Coronado, Hampton Story and Elisha Babcock, first conceived the San Diego - Coronado Bay Bridge in 1888. San Diego, in this period, had a prosperous tourist trade in part due to the transcontinental railroad that passed through the town. The 2.12-mile toll bridge opened in 1969 and spans from the Island of Coronado to the City of San Diego. The construction costs totaled $50 million for the bridge that stands over two hundred feet in the air, allowing the tallest ships to pass beneath. It won the Most Beautiful Bridge Award from the American Institute of Steel Construction in 1970.
Good Golly, Miss Molly ... (Referenced by Veronica to Weevil as they discuss Molly.)
Written by John Maracalco and Robert "Bumps" Blackwell, "Good Golly, Miss Molly" was first recorded by Little Richard in 1957 and achieved top-ten hit status in 1958. Although Little Richard was the first artist to record it, another faster-tempoed version performed by the Valients was actually released first.
The lyrics are:
The signature song of child actress Shirley Temple, "On the Good Ship Lollipop" was first performed by the actress in Bright Eyes (1934). The lyrics were written by Sidney Clare and the song was composed by Richard A. Whiting.
The lyrics are:
Caligula was a Roman emperor (AD 37-AD 41) and the son of Germanicus Caesar and Agrippina the Elder. His real name was Caius Caesar Germanicus. As a small child, he wore military boots, and that is how he got his nickname "Caligula", which means, little boot. (Are those the boots made for walkin', Caligula? Damn, I love those boots.) After the death of Tiberius, the Roman army helped make Caligula emperor. Shortly thereafter, he became severely ill and it is believed that after this illness he was insane. (Can anyone say, syphilis? Damn, VD is responsible for so much evil wrought upon the world.)
He earned a reputation for ruthless and cruel autocracy, and torture and execution became the order of the day. Caligula was responsible for serious disturbances among the Jews by attempting to erect a statue of himself in their temple in Palestine. He was assassinated by a tribune of the Praetorian Guard and succeeded by Claudius I. (I guess the combination of cool boots, over-the-top vanity and insanity are a recipe for treasonous acts ... Oh, the humanity.)
Ouija Board ... (Referenced by Weevil to Veronica at the police station)
"Ouija" refers to the belief that one can receive messages during a sance by the use of a Ouija board, a.k.a. a talking board or spirit board, and a planchette. The fingers of the participants are placed on the planchette which then moves about a board covered with numbers, letters and symbols so as to spell out messages. (For me, the thought of the Ouija board generally recalls late-night slumber parties or drunken escapades where my friends and I would decide that trying to communicate with the "other world" at 2 a.m. was, like, the coolest idea ever.)
Ouija is a trademark for a talking board currently sold by Parker Brothers. While the word is not a genericized trademark, it has become a trademark which is often used generically to refer to any talking board. The use of talking boards has roots in the modern Spiritualism movement that began in The United States in the mid-19th century. Methods of divination at that time used various ways to spell out messages. Often used was a small wooden tablet supported on casters. This tablet, called a planchette, was affixed with a pencil that would write out messages in a fashion similar to automatic writing. During the late 1800s, planchettes were widely sold as a novelty.
In 1890, businessmen Elijah Bond and Charles Kennard had the idea to patent a planchette sold with a board on which the alphabet was printed, and thus had invented the first Ouija board. An employee of Kennard, William Fuld took over the talking board production and in 1901, he started production of his own boards under the name "Ouija." The Fuld name would become synonymous with the Ouija board, as Fuld reinvented its history, claiming that he himself had invented it.
Countless talking boards from Fuld's competitors flooded the market and all these boards enjoyed a heyday from the 1920s through the 1960s. Fuld sued many companies over the "Ouija" name and concept right up until his death in 1927. In 1966, Fuld's estate sold the entire business to Parker Brothers, who continues to hold all trademarks and patents. About 10 brands of talking boards are sold today under various names.
Dirty Harry/Dirty Sanchez ... (Referenced by Veronica to Weevil after meeting with Lamb)
"Dirty Harry" is the nickname of Clint Eastwood's character in the 1971 film Dirty Harry. Eastwood plays Harry Callahan, a San Francisco detective on the hunt for Scorpio, a serial killer. Eastwood's portrayal of the unorthodox Harry spawned four sequels. Interestingly, Eastwood was not the first choice to play the role. Frank Sinatra (who had to back out after an injury), John Wayne, Steve McQueen, and Paul Newman were all offered the role.
The term "Dirty Harry" is now used to refer to cops who play the part of vigilante, taking the law into their own hands.
As for Dirty Sanchez ... You'd think that Weevil would find Veronica's alternative to Dirty Harry a mite more disagreeable. Before you click on the definition of the lovely Dirty Sanchez, I suggest you very carefully consider whether or not you want to bleach your brain anytime soon.
Luck be a Lady ... (Referenced by Veronica to Weevil at the Sheriff's department.)
"Luck be a Lady" is a signature song from the musical Guys and Dolls which was produced in 1955 and directed by Joseph Mankiewicz. Guys and Dolls has several plotlines focusing on a famous floating crap game, sinners and a lovely lady running a mission, a $1000 bet and several intertwining romances. It starred Marlon Brando and Frank Sinatra who sung the song "Luck be a Lady." The lyrics are:
Dirty Dancing/ "I've Had the Time of my Life" ... (Referenced by Logan to Veronica as they begin "THE DANCE" and the squeeing heard round the world commences)
Dirty Dancing is a 1987 musical and romance film directed by Emile Ardolino, starring Patrick Swayze as hot dance instructor from the wrong side of the tracks Johnny, Jennifer Grey as the wealthy, sheltered but brilliant daddy's girl Baby who can't help but love Johnny, and the delightful Jerry Orbach as her overprotective doctor father.
Filmed at Mountain Lake in Virginia and at Lake Lure in North Carolina, Dirty Dancing was distributed by Vestron Pictures. The movie became a major hit after it was released, despite being a low-budget film with no major stars (at the time). Its soundtrack is one of the best-selling soundtracks of all time, and it spawned several hits, including "(I've Had) The Time of My Life," composed by Franke Previte and sung by Bill Medley and Jennifer Warnes, which won an Oscar for Best Original Song.
"(I've Had) The Time of My Life" plays in the movie's final climactic scene where Johnny and Baby interrupt the regularly scheduled end-of-season talent show to use the art of well choreographed dance (by Kenny Ortega) to prove to the world that their star-crossed love is real. I'll admit it -- I've seen the movie a zillion times and damnit, it always gets to me. I'm a sucker for the bad boy whose prickly exterior hides a marshmallowy, romantic center. Now who does that remind me of? (Hee!) Plus, the "dance=love" formula is really working for me right now.
Vulcan Death Grip ... (Referenced by the Fitzpatricks to Thumper.)
The Vulcan Death Grip doesn't actually exist, as its inception comes from a future of peace envisioned by Gene Roddenberry in his classic space cowboy television show, Star Trek. The Vulcan death grip is a fictitious instinctive maneuver attributed to the race Vulcan, a people with dark hair, highly-arched brows, pointy ears and an implacable presence of serenity. The best known Vulcan (despite four additional ST series (The Next Generation, Deep Space Nine, Voyager and Enterprise) is Spock, the original.
Ironically, he is only half-Vulcan and thus didn't quite have that serenity down pat and employed use of the Vulcan Death Grip a tad more often than necessary. The maneuver is used as a reaction mechanism when one is unprepared for an attack. One of his more famous, albeit unorthodox, instances of us use was in 2268: Spock used the "Vulcan death grip" on Captain Kirk as a means to fool the Romulans into believing Kirk was dead, so to bring him back on board the USS Enterprise without causing suspicion in the episode The Enterprise Incident. They did this as part of a plot to steal the Romulan cloaking device.
Thumper/"Little Bunny" ... (Referenced by Danny when telling Liam that he found the money Thumper had said was stolen)
Thumper's nickname comes from the 1942 Walt Disney animated film Bambi. Based on a 1923 book by Austrian author Felix Salten titled Bambi, A Life in the Woods, the film follows Bambi, a young deer, his parents, and his woodland friends, Thumper (a rabbit), Flower (a skunk), and Faline (another deer). So how did Eduardo Orozco get the nickname "Thumper?" Let's look at him and his namesake side-by-side, shall we?
Nah. Still don't get it. Maybe he doesn't like to eat his greens ...
Jack Murphy/Qualcomm Stadium and Three Rivers Stadium ... (Referenced as the real-life facilities standing in for Shark Field.)
This is just an interesting behind-the-scenes tidbit. For old Shark Field, two other real-life stadiums were used. The stadium in the background behind the stage before the demolition was Jack Murphy/Qualcomm Stadium, former home of the San Diego Padres and current home of the San Diego Chargers. It opened in 1967, known as San Diego Stadium. In 1980 it was renamed Jack Murphy Stadium, after a local sports editor who was the original driving force behind getting the stadium built. It was again renamed, to Qualcomm Stadium, in 1997. For the 2004 baseball season the San Diego Padres moved to their new home, Petco Park, which was used for the field trip in Normal Is the Watchword.
The television footage of the demolition was of Three Rivers Stadium in Pittsburgh, which opened in 1970 and was demolished February 11, 2001. It was the home of the Pittsburgh Pirates and Pittsburgh Steelers. The name "Three Rivers" refers to its location, where the Allegheny and Monongahela Rivers joined to form the Ohio River.
- Specific instances are noted below, but just keep an overall eye out for John Kretchmer's excellent directing.
- Note the preponderance of American Flags on display this episode:
Original Air Date: April 5, 2006
Written by: Dayna Lynn North
Directed by: John Kretchmer
Grade: A+
Membership Grade: A (96.0% / 50 votes)
Easily the best episode of the second season, this one handily earns the title as one of the best episodes (top three) of the series. And no, it's not just because there is no Donut, no Pink Pastel Miss and no Do-Me-Kendall Doll to be seen. Because they are that good together, yes, the gentle, fun LoVe snark helps, as does the swoon-worthy, squee-inducing LoVe dance, but it is the overall brilliance of the cast, the entwining of stories with threads pulled from the season opener on into a brilliant tapestry.
We have some witty, wonderful dialogue, incredible, evocative direction by John Kretchmer and some character actions and insights that literally blow viewers away. Dark secrets are hinted at, character motivation is questioned and explored and the bam and buzz that generally accompany an episode of Veronica Mars season one is back in full force. Even with a few off performances and some befuzzling-actions from a particular character, the overall merits of Plan B are A+.
And did I mention that Logan and Veronica dance? And that it is swoon-worthy? And squee-inducing? And altogether magically delicious and dizzingly hot? If not, well, there is a LoVe Dance. And it is wonderful, as wonderful as this top-notch episode.
Credited Cast Non-Appearance
Ryan Hansen - Dick Casablancas
Teddy Dunn - Duncan Kane
Recurring Guest Stars (Previous Episode Appearances)
Brad Bufanda - Felix Toombs
Annie Campbell - Molly Fitzpatrick
Linda Castro Mrs. Murphy
Valorie Curry - Jane Kuhne
Steve Guttenberg Woody Goodman
Brandon Hillock - Deputy Sacks
Tina Majorino Mac
James Molina Thumper
Michael Muhney - Sheriff Lamb
Krysten Ritter Gia Goodman
Rodney Rowland- Liam Fitzpatrick
Tayler Sheridan - Danny Boyd
Jon Michael Souza - Passing Motorist (Eyewitness)
Patrick Wolff - Hector
Martin Yu - Mr. Woo
Guest Stars
Furonda - Beverly
Richard Neil - Foreman
Who's Who in Neptune
Beverly - Secretary to Woody Goodman.
Foreman - Foreman at the Sharks Stadium demolition who found Thumper's motorcycle chained inside the stadium.
Hey! It's That Guy/Girl
Furonda - Furonda is one of the contestants on the UPN television reality series, America's Next Top Model. She won her guest spot on the show as an award for winning a challenge. Too bad, even though she wasn't horrible, we as the audience felt like, we LOST a challenge.
Highlights
Jason Dohring (Logan Echolls) - A magnificent episode with Dohring again at the top of his snarktastic form. Throughout the season we have been privileged to observe the Jason Dohring Advanced Acting 101 workshop. We have seen heartbroken Logan as he watches the video of Lilly and Aaron, vulnerable Logan as he asks Veronica for help, desperate Logan as he struggles under PCH torture, anguished Logan as he confronts all the conflicting emotions he felt while trying to clear his names and the lengths he went, and far too many others to list.
In Plan B, Dohring is at his quippy, snarky best with numerous witty lines that leave the viewer helpless with laughter and applauding the snark. And yet, his ultimate acting triumph is displayed in a scene where he doesn't speak a word. Yearning and hopeful, Dohring uses his face and body to show the intense emotions Logan is feeling as he dances with Veronica. Simply superb!
Francis Capra (Eli 'Weevil' Navarro) - I loved him! With an impassioned shout, Capra caps a first-rate performance that displays all the strengths of Weevil as well as his ambiguous complexity. Capra displays charm (as he masterfully plays Veronica's curiosity), pain, longing and a steely determination as he unravels the truth behind Felix's murder (or so it seems). His shadowed confession was the perfect ending to a moment of classic noir that left the viewer breathless. Kudos to Francis Capra for a hard-edged characterization that added increased layers to Weevil's characterization.
Lowlights
Percy Daggs III (Wallace Fennel) - It is not fun putting Daggs' name in this category, but this episode showed the young actor at his worst. Perhaps, he found the sudden change in Wallace's personality wherein our sweet Wallace became Wallace the Jerk as unbelievable as most viewers and simply was at a loss as how to portray this heretofore completely alien side to his character. Whatever the reason, Daggs was just off on a major scale in his performance. For the first time, his Wallace was unlikable, dialogue and actions both were delivered in a stiff, stilted manner and the whys and wherefores of almost everything Wallace said and did made no sense.
Brad Bufanda (Felix Toombs) - Bufanda delivers a goofy, poorly delivered flashback scene as he dreams of living the trucking life with his secret squeeze Molly Fitzpatrick. Let me don my Director/Teaching beret for a moment (it's a snazzy purple by the way) and say that this, students, is an example of a marginal actor phoning it in. Or to be more specific -- a marginal actor phoning it in while he tries to make up his mind whether to stop at that new Thai restaurant on his way home from the set or just order a pizza. Please refrain from ever doing this. End of lecture.
Before I go into detailed scene analysis, I'm going to offer a little introductory analysis regarding Logan's previous relationship. In my opinion, all but the final scene between Logan and Hannah played as if, yes, Logan cared about Hannah as a person, felt guilty about using her, appreciated like nobody's business that she cared about him and believed in him, enjoyed the making out (he's a teenage guy) and was motivated strongly by the idea of someone good actually caring about him/standing up for him. However, I did not believe ever that he actually liked liked her, fell for her, take your euphemism.
I excluded that final scene because that did play out that way, but I simply can do nothing but discount it. First of all, as the scene was written there was simply no way for Jason Dohring to add any layers, subtext, etc. I won't go into detail or into a Rob Thomas rant here, just suffice it to say that I think the reason that it was written as such is because that final scene was his way of sticking it to the LoVe fans one last time (hopefully). And I believe that because it contradicted every scene before that DID play as I described Logan's feelings above and then taking into account this week's episode, even more confirmed that, no, he did not like like her, fall for her, take your euphemism.
Scene One: He's a Winner!
Ah, once again the overt LoVe-joy that is derived from this scene all comes from Logan, but ah, ah, ah, we do have some subtle moments of (oh, let's call a spade a spade) fanwanking that can be applied to Veronica. First off, we must acknowledge Logan's complete lack of mourning over the Pink Pastel. First we have his Cheshire-grinning, snarky self about the essay. And then we've got the gaggle of girls (all acting like Hannah clones) hanging all over him and here is Logan, basking in it like the aforementioned Cheshire basking in the sun. And along comes Veronica. And here comes Logan, grinning at her, broadly hinting that she should ask him out on a date, sidestepping with a grin her accusation and in one final moment in which Logan is a crowning citizen of Hannah-who? land, our dear boy, still doing his Cheshire grin, takes a moment to look Veronica up and down, head to toe in a decidedly appreciative way.
As for Miss Mars ... clearly that essay was several pages long. Just as clearly it was single-spaced. And just as clear as the last just as clearly was the fact that Veronica couldn't have read more than a few lines or lightly skimmed a paragraph. With that clarity in mind, being able to quote a few lines from a film that Logan is obviously fond of that also appear in his essay, in no way offers the snap-quick analysis that Logan plagiarized the paper. Because really, several pages, single-spaced typed, there is no way an entire paper can be written in such a way that plagiarizes a film. So, with that said, we go to 'Fanwanking Your Way to LoVe 101:' Veronica just wanted an excuse to walk up to Logan, be near him, talk to him, and exchange some snappy, arousing repartee. Because that there was the single, weakest accusation that Veronica Mars has ever come up with ... in regards to Logan, yes but also in regards to anyone any other time. Seriously? Several pages, single-spaced, seconds of reading and she comes up with plagiarism? Nah. She just longed to be close to him.
And then there was the one final bit that is perhaps fanwanking, but I think is only on the edge and is not quite a stretch of imagination: Veronica remembering the dialogue to Logan's afore-mentioned film regarded with fondness. Not only do we have Veronica actually reciting the film's dialogue, which can be seen as her noting its importance because of Logan's love for it, but we have -- and this is big! -- Veronica actually acknowledging that she and Logan dated!! YES! For the first time this season, Veronica spoke to Logan about a couple-thing they did as a couple. It's a miracle. And one to which I'm ever grateful for because it means that mound of straw is indeed becoming a mound.
One more note: The film that Veronica mentioned was Easy Rider and, as any consistent viewer knows, that was the film that Logan watched with the Pink Pastel. If Logan dear was even remotely heart sore for the girl, wouldn't we have seen, oh, even the slightest smidgen of pain cross his face when Veronica brought up what would be a fairly recent fond memory of their time together? Yes, he would. But he didn't. Because he didn't truly like her. It was all about the fantasy of having a normal relationship with a sweet girl who gosh darn't liked him for him, not the sweet girl herself.
Scene Two: What Logan Can Do
Yeah, totally -- this witty repartee/gentle snark is so verbal foreplay with them. SO verbal foreplay. It's like they have this rhythm going, beginning with Logan doing that smooth turn whilst walking upon hearing the voice of his lady love. And then the side by side gait, shoulders brushing, quips falling one on top of the other, the smiles, the flirty eyes. It is just pure poetry to behold. Sexy poetry. Because if I haven't mentioned this recently -- and I haven't because there hasn't been much cause -- these two have incredibly good chemistry. Walking, talking, quipping and snarking, they are the essence of cool, sexy heat. Kristen Bell and Jason Dohring are just so exceptionally in synch when working together, it's dazzling. (And we haven't even gotten ahead of myself yet with the you know what!)
Sigh, but all good things must end. Once Veronica grabs the keys and Logan informs her of her pest-like quality, things get serious and the fun and games are over because Veronica gets her proverbial foot up the proverbial ass of LoVely snarkage. Oh, Veronica.
And oh, Logan! It wasn't the nicest comment ever, but this hysterical, gentle snark must go near the top of my favorite not-so-nice LoVe banter ever.
- Logan: Once something stops being important to me, my memory gets a little fuzz -- (Looks away and then back at Veronica.) -- wait, who are you?
Another interesting little touch is that right after Veronica (finally) gives Logan back his keys, he presses them to his mouth, like so:
What's interesting about this -- and possibly LoVe-friendly -- is that this is not a common gesture. We all have noted the many Logan-specific gestures/actions that Jason Dohring has given this character. While no doubt he's done this before it is not by any means a signature Logan move. Therefore, I'm going to attest (yes, once more taking a page from 'Fanwanking Your Way to LoVe 101') that Logan chose (subconsciously) to press those keys to his lips at that moment because Veronica had just been fondling them. Uh huh.
Also, it's a stretch, but it is possible that that Logan's way of shelling out his remembrance of the witness that night was another form of flirting, LoVe-style. He waited to give her all of the information, even walking away because he wanted to leave her hanging and thinking she'd be disappointed before, uh oh, turning around (in another sexy, smooth move) and offering up some satisfaction. Oh yes, Logan gave her something to make her happy. Uh huh, he loves her.
And going back to that whole in synch thing, at the top of the scene, Logan threw his keys in the air and Veronica handily caught them. At the close of the scene, Veronica threw his keys back up in the air and Logan handily caught them. See? In synch. They're made for each other.
Scene Three: The Stakeout
Ah, the subtext here is utterly delicious and proved indelibly once and for all for me that the Pink Pastel was just some flitter-fly-away fantasy of what Logan Echolls could never really want, but instead be someone he just thought he should want because she wasn't a bitch (see Lilly, Caitlin, Veronica, Kendall, you get the drift). Let's begin with Logan's opening salvo while the staking-out.
- Logan: So this is a stake-out. They're sexier in the movies.
Ah, but it gets better! Instead of just dropping it, Veronica continues with the reminder of the relationship by bringing up what doctor daddy dearest did in retaliation (which led to the cute little 'bad boy' high-five-age!). Now, her continued prodding of his time spent with the pre-schooler leads me to believe that Veronica was once again trying to convince herself that Logan was in mourning, so that she could comfortably sit next to him and not think naughty thoughts. See, if he was actually into someone else, she would think only pure and noble thoughts because otherwise that would make her the slut that Mac clearly thinks she is. (Silly Veronica, it's Logan. He's pretty. You're only human. We understand.)
Alas, poor Veronica, Logan does not help. For what does he do? Why he brings up Veronica's father -- which brings up the fact that they dated, reminding her of that fact. Yeah, one-track mind there, Logan and it's all about the Veronica. Because he loves her. And so naughty thoughts would have totally started running rampant through Veronica's mind which would have led to sexual tension galore and then they would have jumped each other and the stake-out would have been sexy indeed. Erm, but that didn't happen.
Stupid witness showing up. Damn him!
Sigh. Anyhoo, so (stupid) witness showed up and Logan and Veronica hopped out of the LeBaron (and how cute did Logan look all big and cramped in there ala many a fanfic?) and here comes the next best part of this scene. Remember that in synch, sexy cool rhythm I mentioned above, well, we get to see it in action again. Just like clockwork, the two play off of each other, beautifully playing Mr. (stupid) Witness. Well, okay, maybe not beautifully because Mr. (stupid) Witness doesn't cooperate. But, but, but, Logan and Veronica still are totally perfectly suited to do this investigating, manipulating, P.I.ing stuff together. They are just so perfect for one another. Veronica, wake up! Smell the sexy stake-out possibilities?!?!
Ahem.
Scene Four: Left Longing
Before we get into the meat (as it were) of this scene, it must be noted that Veronica commented to Charlie, that "we all want the bad boys." And who did Miss Veronica officially declare a bad boy the night before? Why, Logan Echolls. Uh huh. And who did the camera jump to very shortly thereafter? Why, Logan Echolls. Yes, indeedy.
And upon landing upon the beauteous Logan, we got a little more Love. Halfway through this scene (right before it does another goofy, camera twist), viewers see Logan staring longingly towards his left and I think it's quite a safe assumption that he was looking at Veronica. Firstly, the preceding shot had Veronica in the area of the gym where Logan was looking. Secondly, as mentioned, there was a look of longing on that boy's face that we've seen associated with his love for Veronica and Veronica only.
Finally, and what makes it most likely that Logan was indeed looking toward Veronica is that he did so right after Gia commented that "it would be even cooler to have a date." And remember, Logan had hinted quite broadly that he wanted Veronica to ask him to the dance at the beginning of the episode. So, Logan looking towards Veronica with longing. Score one more for the lack of remembrance of the Pink Pastel which leads towards proving the theory that he wasn't really into her at all.
Continuing with this splash of scenes, when it jumps back to Logan and Gia once more, the girl is beginning to truly annoy the crap out of him. At what point during the conversation when Logan is looking straight at Gia and attempting to get her to get it!, you can see Veronica walking by them and watching Logan. So, (1) she was watching Logan. Squee. (2) She was paying attention to what was going on and knows him well enough that he was gonna eventually blow, which lends more motive behind her later actions.
Scene Five: The Dance
This scene, like The Kiss, relies on body language and facial expression to an astonishing degree. Despite the lack of dialogue it is crystal-clear what thoughts are running through Logan's mind and while we don't get as much clarity from Veronica (what else is new?), we still do get a fairly good read on her. But let's start at the beginning, shall we?
I commented in the scene above that Veronica took note of Gia annoying Logan earlier in the evening. Therefore, Veronica did have more than just the few seconds caught here to realize how close Logan was to just letting it rip. As much as I would like to believe that Veronica chose dancing with him as the method to keep him from Gia because secretly she wanted to dance with him, I don't think that's the case.
I believe that Veronica has completely convinced herself that she is over Logan, she doesn't still care, she isn't jealous, he doesn't get to her, etc. If she truly thought differently, she never would have put herself in the position that she did: In close, romantic proximity to one Logan Echolls. The fact that she did do so shows that the girl has skills of self-delusion like nobody's business.
As they moved to the dance floor, Logan made his little quip and then just stood there, even going so far as to put his hands in his pocket. From that line:
- Logan: When I dreamed of this moment, "I've Had the Time of My Life" was always playing.
We could absolutely read that lack of expectation in his facial expression. And throughout the entire dance, we continued getting that running commentary from both of them. Veronica's slight hesitation before she completely put her arms around Logan's neck; Logan's shock that Veronica was actually dancing with him. And then their gazes locking on one another, then pulling away, Logan leaning down just the slightest, coming thisclose to touching his forehead to hers before pulling up and once more looking away.
Then Veronica's eyes drifted back up to his face, their eyes meeting for a second and then one or the other looked away. Back and forth, up and down as they swayed to the music, as the couples swirled around them but didn't exist. There were moments where you could feel the almost desperate need that Logan had to kiss her before he would look away, look up and after those moments you could see a vulnerable hurt in his eyes. Not a hurt caused by Veronica, but a hurt that blossomed inside of him for wanting something he could no longer have. Something he once had. And lost.
And now it ... she is here, once more, in his arms. Their eyes met again
- I will not do it anymore
- I've always been a dreamer
I've had my head among the clouds
Now that I'm coming down
- Won't you be my solid ground?
However, here under and outside the spotlight, surrounded by the soft strains of a love song, in each other's arms for the first time in almost a year, Veronica received a mighty, mighty wake-up call. She tried. She may have had her arms around him, but her fingers were clutching her own, not daring to touch the warmth of his skin, encircle his neck. And she certainly tried to avoid his heated gaze, little boy vulnerability wrapped up in a sexy bad boy glow. Ah, but the music, the moves, the boy ... how could she resist? She couldn't. And so by trying to stop a little verbal bloodshed, do a good deed, a whole can of worms burst forth.
After this moment, this dance, Veronica Mars can no longer delude herself. And Logan Echolls once more has hope. What happens next? Tune in. I know I will.
- Jane joins Veronica and Wallace for lunch, giving her boyfriend a kiss on the cheek. But what's that uncomfortable look Wallace just hid? From Jane. Because it certainly didn't escape Veronica's notice. Jane congratulates Veronica on the F.B.L.A. winning the drawing to host this year's Sadie Hawkins dance, noting that the band made $3,000 last year. Veronica shows them her "over the moon" face, which, well, if that's her over the moon face, then what planet was she over when she had her happy-to-be-with Logan face last year? I'm thinking it had to be located in another galaxy.
Jane asks if Veronica's got anyone in mind to ask to the dance, but Veronica points out that she's flying solo for the foreseeable future. Not to sweat, though, because she's working the dance -- and not in a "you work it, girl" way as Wallace concludes, but in the way that she's taking couples keepsake photos. Veronica turns the conversation around to who Jane's thinking of asking. Jane's narrowed it down to a sweet band dork or an all-hands Nubian prince, which seems to perk up Wallace's spirits, or at least his ego. That is, until Jane starts to eat his cake, which is apparently a deal-breaker for him. Ladies, don't get between AirFennel and his sweets.
Later, Jackie and Wallace are sitting together in Mr. Wu's Study Hall, but it's possible they think it's a Chat Room because there's no studying going on. And it's not a Hall, so ... why is it even called Study Hall? Anyway, Wallace asks about Terrence and Jackie says he's slowly getting better. He's off suicide watch, but not eager to fully recover since he'll be swapping his guarded hospital room for a jail cell.
When asked how Jackie's coping with being alone, she explains to him that she's grown accustomed to it since she was eleven. That was when her mother started realizing the wrinkles forming around her eyes were going to cause an end to her modeling career and thus began the search for a wealthy man. A search which meant partying and traveling ... sans child. Feeling sympathetic, Wallace suggests they should hang out more. Jackie thinks that would be nice, but Mr. Wu interrupts them with the reminder that this is Study Hall and they should be, you know, studying.
Another day, same setting. Study Hall. While teasing Charlie, a developmentally delayed boy, a group of jackasses are checking out a girl walking by who is nearly bursting out of her tight sweater. Wallace also appreciates the view, which doesn't get past Jackie, who gives him a friendly hard time about it. Wallace flirts with her, suggesting she wear a similar sweater. Jackie notices the mean boys hassling Charlie, so she walks over to him, introduces herself and asks Charlie to the Sadie Hawkins dance. Effectively putting an end to the mean boys' fun. Charlie accepts Jackie's proposal and she returns to her seat. The best comeback one of the boys can think of is to blow a spit wad at Jackie. Fortunately, Wallace notices and advises against it.
At the dance, Jackie sees Charlie and his mother arrive and waves them over to her. Charlie's mom tells Jackie she's doing a really sweet thing. Jackie insists it's her pleasure and then takes the two of them over to Veronica and introduces them as Veronica takes a photo of Jackie and Charlie.
Across the room, Jane and Wallace dance as she complains to him that her mother recently gave her the "sex talk." Wallace is hardly paying attention to her, though, because he's too busy watching Jackie dance with Charlie. Jane, you know, his actual date, manages to get his attention back for a moment so that he can repeat his own mother's version of the "sex talk," which is short and sweet. "Don't."
As Jackie continues to dance with Charlie, his mother interrupts with an apology that it's time to get Charlie home. He tells Jackie goodnight and she sweetly kisses him on the cheek. After they leave, Jackie makes her own exit from the dance. Wallace notices and stops dancing with Jane, telling her he wants something to drink. She agrees and walks one direction while he chases Jackie outside. He stops her in the parking lot, asking her if she's okay. She tells him she's fine, but that it was sweet of him to -- sentiment interrupted by Wallace's lips. She pushes him off, asking about his date and apologizing if she gave him the wrong impression. Wallace, really not getting the message, asks her if she's saying she doesn't have feelings for him. Jackie tries to explain to him that she's trying to not be the kind of girl he's putting her in the position to be, then leaves him there to think about that.
Wallace is heading back toward the dance, when Jane angrily storms past him, telling him she's going to ride home with Kate. Wallace stops her to find out what's wrong. Turns out he's what's wrong. Or at least his wandering lips. Kate saw him kissing Jackie and Jane's understandably upset. Wallace apologizes, saying he was "messed up." Whatever the hell that means. Jane complains that Jackie is always hanging on him and wonders why he couldn't resist her. Wallace claims it was a weak moment and tells her he's really sorry. He holds his hands out for her and after some hesitation, she takes them.
At school the next day, Jane and Jackie cross paths. Jane informs Jackie that she used to think everyone was wrong about her. Emphasis on the past tense. Jackie really doesn't have a response, except sad resignation.
Outside, Jackie sits alone while Wallace stares at her from another table. Jane sits with him, notices him staring and points out that Jackie would have friends if she didn't act like she was the most important person wherever she is. Wallace confesses that Jackie didn't kiss him; he kissed her. Jane, apparently wanting to live in denial, thinks that Jackie must have come on to him or something, but no, Wallace insists he just kissed her. He's sorry and doesn't want to hurt Jane (too late!), but he still has feelings for Jackie.
Wallace approaches Jackie at her table of solitude and lets her know he broke up with Jane, then asks if she's going to invite him to sit with her. Jackie won't, because even if Wallace is single and likes her, him sitting with her will only prove to everyone that she's a man-eating bitch who stole him from one of the sweetest girls in school. So she asks him to leave, which he sadly does.
- Mac and Beaver are holding hands and walking down the hall, when Beaver stops to stare at the banner hanging before them. "Spring Fling. Sponsored by F.B.L.A. Ladies!! Buy Your Tickets! Don't Forget! It's Sadie Hawkins." Beaver lets out a dreamy little sigh, glancing sideways at his girlfriend. He jokingly laments that she must be ashamed of him because of the age difference between them. Mac laughs and punches him in the arm, surprised that he'd want to go. He explains that he'd like to be asked, so she does and he accepts, saying that if it's no fun, they can leave early and go straight to the "good stuff." Mac fans herself at his sexy suggestion ... until he explains he's talking about going on Neptune's Best Pizza Quest '06, not the gutter-minded things she's thinking about. He smiles and walks away, but Mac? Her smile's faltering a bit.
Catching up with Veronica in the school hall, Mac preemptively apologizes for the awkward conversation to come. She needs some advice from her "worldly" friend. About boys. Or rather about one not-very-frisky boy. It seems that Beaver and Mac do occasionally make out, but that's about it. Although she's not very experienced in the land of dating, she's of the impression that after four months, there should be a little more action, as in the under the bra type of action.
Consulting her Idiot's Guide to Wanton Behavior, Veronica asks for a little more information on what kind of action has happened. Handholding, kissing with the occasional tongue, check. Ass-grabbing, not happening, unless you count Beaver brushing dog hair off of Mac's pants. Mac asks Veronica if she thinks it's a bad sign or at least weird. Trying to reassure the girl, Veronica agrees that while it's a little out of the ordinary, it doesn't necessarily mean it's bad. Mac asks her again if she thinks it's weird. Veronica can't answer, which Mac takes as confirmation.
At the Spring Fling, Beaver and Mac slow dance as he complains that no amount of decorations can make the school gym look attractive. Mac, however, is enjoying the moment. Later that night, as the young couple leave the dance, Beaver complains that it was sucktastic, so Mac suggests they take things back to his place where they can be alone together, with no parents to worry about. Beaver becomes visibly uncomfortable and reminds her that Dick is there and stammers that he doesn't really feel like dealing with his brother.
Mac points out that if they stay in his room, they won't have to deal with Dick. Beaver's silent and looks really sad and a little ... broken? Noticing the look on his face, Mac gives him a sweet little kiss. He still looks just desperately sad, so she gives him a tender hug, then lets him off the hook by reminding him that they still have eight stops left on Pizza Quest '06. Beaver starts to try to explain, but can't manage anything but repeating that Dick would be there. Confused and disappointed, Mac watches as he walks away.
Beaver and Mac sit side by side eating their lunch at school the next day. The mood is quiet and tense, until Mac can't take it anymore and puts her lunch aside to ask him if he's not attracted to her. Beaver acts confused by her question, so she nervously asks him why he doesn't want to "do stuff." He tells her he doesn't want to talk about it there, but she presses on because they have to talk about it sometime. She tries to reach out to him, telling him that she gets nervous, too, that she doesn't know what she's doing either. At this, Beaver gets defensive and insists that he knows what he's doing.
Mac backpedals a little, focusing on her own lack of experience, but Beaver continues to insist that they have to stop talking about it. Mac starts to repeat some of her conversation with Veronica, but at the mention of her name, Beaver gets angry that Mac was talking to her about them and demands to know what she told her. Mac says it wasn't about him, but about herself, trying to make sure that she wasn't doing anything wrong. Beaver informs her that she wasn't doing anything wrong before, but she is now. And with a cold remark, "Good luck getting laid", Beaver walks away, leaving Mac confused and a bit crushed.
- Logan sits in Woody's office, an insanely bored intern. He plays a little with a baseball and then gets up and starts looking around. And what does he come across? Woody Goodman's signature stamp. Score! After looking around to make sure no one's watching, Logan picks it up and gives it a try, stamping Woody's signature on a notepad. Then he pockets the "autograph." A little keepsake of his internship? Hmm. I think not.
Later, at the Sheriff's office, Lamb complains to Sacks that he's late because someone has taken his parking space. Again. Sacks informs him that they received a letter stating that the new Deputy Commissioner requires the parking space because he's handicapped. Hmm. Is the inability to see the fugliness of that argyle sweater really a handicapped condition?
- While Veronica takes couples photos at the dance, Logan and Gia are sitting together at a table, greeting students and selling tickets as part of their F.B.L.A. fundraiser. Gia thinks the dance is cool, but that it would be cooler if she had a date. However, she's proud of herself that she came alone. It means she's evolving. Into what, no one's quite sure.
Gia tells Logan that her dad likes having him at the office and that Woody even said Logan has "potential." Logan jokes that "underachiever" is the actual sentiment. Gia thinks the demolition ceremony will be fun and asks him if he's nervous and what would happen if he pushed the plunger and it didn't work? Logan suggests there would be total silence, then pointedly suggests they try to imagine it. Walking by, Veronica notices Logan's annoyance level rising. As anyone not named Gia would notice.
Continuing to prattle on throughout the evening, Gia lectures Logan on the merits of honesty in a friendship, accusing him of running from the truth. As Logan silently wishes for someone to beam Gia home, she continues to critique his character, pointing out that he uses sarcasm and anger to keep people at a distance. Veronica joins them as Logan agrees, pointedly telling Gia that it doesn't always work. Not catching the hint, Gia invites Logan to tell her his completely honest opinion of her.
Recognizing that Logan's about to verbally squash Gia like a tiny little bug, Veronica grabs his hand and says three little words that made 'shippers start to squee. No, not those three little words. (Give it time, folks.) "Dance with me," she says, and with that, he lets her lead him to the dance floor and away from pouting Gia, who no longer has a captive audience. And although Logan's dream of dancing to "I've Had the Time of My Life" has yet to come true, I'm sure there's a 'shipper or two out there who had no complaints about the song selection that played as Logan and Veronica "swayed" to the music together.
- Weevil was taking Algebra 2 last year...for the third time, according to Felix.
- Woody owns a fast food chain called Woody's Burgers.
- Jane is 17.
- Veronica works at her dad's office during her lunch period.
- Veronica and Keith watch Channel 5 Action News.
- The truck driver who witnessed the incident on the bridge and called 9-1-1 anonymously lives on 43rd and Euclid.
- How far we've come in just a few weeks. Remember the days of yore when we didn't even remember there was a season long mystery lurking in the background? When we would forget for weeks at a time that there was ever a bus crash, or that Logan had been accused of murder? Well, those days are long gone, kiddies. Welcome to the days without a mystery of the week. (Unless you count the disastrous choices made for Logan by the wardrobe department, because WTF? Death to argyle!) This week was chock full of info on the seasonal mysteries with nary a runaway bride or mysterious horrendously-acted blackmailer in sight. Buckle up, my friends -- it's gonna be a bumpy ride.
We open to English class where the winner of Woody Goodman's essay contest on the subject of "Freedom" is being announced with much fanfare. And the winner is? Why Logan Echolls of course! ("I'm sorry, did someone say my name?") The whole class enthusiastically congratulates him on his victory (well, almost the whole class) and as the period draws to a close, a group of sycophantic Hannah wannabes simper all over the conquering hero. Veronica takes a four second drive-by of the essay -- conveniently posted on the board all week -- and cannot wait to get all up in Logan's grill to.accuse him of plagiarizing Easy Rider? Weak, Veronica. Totally weak. Oh, just admit that you want him -- everybody knows that you do!
We head out to the quad where Weevil spies his old PCH cronies lunching and flashes back to misty, water-colored memories of a long time ago when he was in charge of the club and Felix was still alive. This particular flashback reminds Weevil that Felix had been making plans for his future after high school. Plans that included marriage, settling down, and "cranking out a couple of shorties." At the time, of course, no one knew about Miss Molly, but it is clear from Felix's expression that his plans all revolve around one specific girl. And as we flash back to Weevil in the present, it is clear that he's aware of the role that Molly played in Felix's plans now.
Veronica is across the quad chatting with Wallace and Jane about the upcoming Sadie Hawkins dance, when Veronica gets "the nod" from Weevil across the way. Weevil, predictably enough, needs Veronica's help. Veronica has apparently decided that having her own drinking game just isn't cutting it anymore, and instead she demands $50 for every time someone asks her for help. Weevil keeps talking, but Veronica assures him that she really wasn't kidding -- it's gonna cost him $50 if he expects her to keep listening. Weevil, however, knows our girl-wonder better than she knows herself. He tells her that he's counting on her curiosity getting the best of her -- and after several moments of deep thinking, Veronica pouts, stomps her feet and damn's her curiosity all to hell, because it does get the best of her. And he didn't even need a head tilt!
Weevil tells her that Thumper killed Felix and he needs her help to prove it. He needs her help because Thumper has something on him -- a video on his cell phone. Veronica, clearly thinking along the lines of hot tubs and popsicles, is somewhat surprised to hear that Weevil wasn't entirely honest with her about how he handled the "Curly situation." Okay, so she's not surprised that he wasn't entirely honest, and tries out the 'ole "shocker" hand gesture to emphasize her lack of shock. The gesture she ends up doing looks more like "scout's honor," as Weevil points out to her, because she clearly isn't as well-versed in vulgar hand gestures as Logan.
The deets that Weevil left out regarding the "Curly situation" were that he was not the only PCHer to get an anonymous call that Curly sent the bus off a cliff to kill Cervando for scamming a couple grand from Liam Fitzpatrick. We flash back to Weevil's memory of that fateful night: He's kicking the crap out of Curly, who is swearing through bloody lips that it wasn't him -- but he knows who did it. Thumper, who is recording the whole event for posterity on his cell phone, notices as a car across the parking lot rumbles to life. As the headlights go on, the PCHers make a break for it, leaving Curly broken, but alive, in their dust.
We flash back to the present and Veronica reminds Weevil that he told her he didn't believe that Curly was responsible for the crash. Weevil concurs and Veronica is puzzled, because then why did he kick the crap out of Curly? Weevil says that his boys were ready to act as judge and jury, and send Curly over a cliff as punishment. By taking charge of the situation, Weevil hurt Curly, yeah, but he also managed to save his life. Veronica has one last question for Weevil -- did he happen to notice if Curly had her name written on his hand during the beatdown? Sorry Veronica, no luck. Weevil makes it clear that Thumper has to go down for Felix's murder, and if it can't be the legal way, than he'll see to it personally. If Veronica wants to see it handled the right way, she's gonna have to help him.
In a quick flash to the season's current red herring of choice, we learn from Jackie that Terrance is finally off of suicide watch, but is in no hurry to leave his well-guarded hospital room for a cell at county.
Out in the parking lot, Veronica chases after Logan, throws him down on the hood of the LeBaron and has her wicked way with him. Okay, so I'm kidding, but isn't it nice to dream? Ahem. Anyway, Veronica chases Logan down in the parking lot and tells him that she needs a minute. He snarks that she'll need to call his assistant and asked to be penciled in. She's not biting -- at least not right away -- and instead tells him she needs him to do something for her. My mind takes a brief trip into the gutter.
Logan returns the serve with "Ask not what Logan can do for you, but what you can do for Logan." With that, my mind returns to the gutter for a nice long visit. Sigh. Oh, to be Veronica with that kind of an opening. I can think of quite a few things that I could do for -- and more to the point to -- Logan. With the express hope that he'd be willing to return the favor, of course. SIGH. *shakes head* Okay, I'm back. Sorry about that. Ahem.
Veronica asks him to tell her everything he remembers about the night Felix was killed. Excessively adorable verbal foreplay -- I mean, snarky banter -- ensues. (I know his mouth is saying that Veronica's a pest, but all I hear is "I wuv you beary much." Or it could be, "Let's have sex." Hard to say.) Logan tries to convince Veronica that he doesn't want to be bothered with this because he's off to shake hands, kiss babies and walk softly while carrying a big (ahem) stick as the Honorary Deputy Mayor.
Veronica is still not amused and snatches his keys away. Logan reminds her that he was cleared of all charges relating to the murder so he doesn't have any interest in pursuing this anymore because it's (follow the bouncing ball) not his problem. And once things are no longer important to him, the details start to get a little fuzzy. In fact, who is she again? (Hee!) Veronica is REALLY not amused and reminds Logan that if he doesn't help, Thumper is going to get away with killing Felix, framing Logan, taking over the PCH bike club, and cornering the high-school drug trade. (Damn! I know it's a life of crime, but when you put it that way, he is a rather enterprising young man. Perhaps he should speak at F.B.L.A. He'd put Dick to absolute shame.)
Veronica asks one last time if Logan remembers anything about the 911-calling good Samaritan. He only offers that the guy was Hispanic, and drove a truck with a bumper sticker, which is no help at all. Veronica gives up and sends "Deputy Dog" on his merry way. But as we watch Logan walk away, he offhandedly says that he's pretty sure it was a San Diego Seafood truck -- and he'd probably recognize the guy if he saw him. See VERONICA? He's not useless, he just wanted to make you work for it a little. It's all about the banter, ya know? As a wise man once noted, "They quip because they love." Word.
We flash to Mayor Woody's office where he's on the phone trying to convince someone that Father Fitzpatrick is blowing something about the incorporation plans out of proportion because, for one, there will be increased police and security. And the property values will bounce back. For real! Woody's America's Next Top Model secretary Bev interrupts to let him know that his honorary assistant has arrived. Pleased as punch, Woody details the publicity he'd like Bev to set-up ASAP so that they can get some good PR out of it. That is, until he realizes that Logan Echolls is the winner of the essay contest. All of the sudden, photo ops with the son of a alleged murderer who was also recently charged with murder isn't looking quite as good as it had moments before. Cancel that order, Bev!
Woody makes all the right noises, congratulates Logan on his powerful essay ("Came right from the heart, sir." Ha!) and welcomes him to the fold. No sooner does Woody swear Logan in, than Logan excuses himself to go and fire Lamb. Double ha! with a side of "I wish." Woody banters that perhaps personnel issues should wait until Logan's a bit more up to speed. He reminds Logan about the Incorporation Plan, which Logan says he fully supports and that he's decided to put his considerable weight behind it.
In fact, he proposes that they take it one step further and erect a wall around Neptune proper -- to keep the riffraff out. Heeheehee! Woody suggests that rather than visiting local community centers, Logan start with sorting the mail into pro and con incorporation piles. Logan is less than pleased with this assignment, but Woody reminds him that it's better than pulling a drive through shift at Woody's burgers. Logan comes right back with "I wouldn't know sir. You're the one who's served 20 billion." And then he twinks! *choking with laughter* (Seriously, Jason Dohring is rocking so hard in this episode!)
Keith arrives at Woody's office moments later, and he and Logan share a brief but awkward greeting. Keith goes into the inner sanctum where Woody pleads in a most determined way that Keith drop all of his other cases and focus solely on clearing the name of the greatest Shark to ever put on a uniform. (Bruce!) Keith, as much as it hurts his fanboy heart, reminds Woody that Terrance broke into Ms. Dumas' house.
Doesn't that give him pause? No, although not for any concrete reasons, but because he knows the quality of Terrance's character. Now, um, I'm not trying to throw stones or cast aspersions, and God knows I like Terrance and he's pretty to look at -- but hanging your hopes on the "character" of a man who's a well-known skirt chaser with a serious gambling addition seems like a really stupid decision for a savvy politician.
At that moment, Logan enters the room with something he's pretty sure that both Woody and Keith will want to see. Amongst the mail Logan was sorting, he found a DVD with no return address. The DVD, when played, is footage from inside Woody's home. The camera pans around the living room, passes over the doors to the patio, and heads down the hall, passing a number of photos of what appears to be Woody's little league teams. And finally, at the end of the hall, the camera lingers on the dining room table where Woody is eating dinner with his family. Seriously creepy! I mean, it's one thing to know that someone was in your house. It is entirely another to discover that you were there when it happened and didn't even know!
Later that night, our favorite LoVers are hanging out in the LeBaron at the San Diego Seafood Company loading dock, on a stakeout (squeeeee!), looking for the elusive witness to Felix's murder. Logan comments that stake-outs always seem sexier in the movies. Veronica, silly girl, passes up yet another perfect moment to have her way with Logan (sigh) and instead asks him about Hannah. I'm sorry -- WHAT? Yeah, you heard me.
Her response to sexy Logan banter was "So, have you heard from Hannah?" Double sigh. The only upside to this moment is Logan's response: "Does deafening silence count?" And to that, I say a mighty hallelujah. Considering Logan's very blas comment, it is so clear that he isn't pining over Hannah. Whew! Then Logan and Veronica have a very strange yet adorable moment where Veronica comments that she's pretty sure when they start sending your girlfriends away, you are officially a "bad boy." And then she high-fives him! Weird, yes, but totally cute. Logan snarks that perhaps Dr. Griffith and Keith should go bond over bowling. Hee!
Can't they just give up the pretense and have sex already? I mean seriously. They so lurrrve each other.
At that inopportune moment, Logan spies the elusive 911 caller. They exit the LeBaron and approach the guy as he's loading his delivery truck. Veronica asks the gent if he perhaps remembers an incident on the Coronado Bridge from last May involving her friend, Logan? The guy swears he remembers no such thing -- he's not their witness. However -- hypothetically speaking, of course -- based on the fact that he lives smack in the middle of PCHer country, if he had been there and seen anything, he might have decided to keep his mouth shut in an effort to protect his wife and daughter.
Logan's pissed because the last seven months of his life have been hell because the "witness" was too busy protecting his own ass. The witness is unfazed because, first off, he might have been the guy that SAVED Logan's life. And second, no rich white boy from the '09er zip code is going down for murder in Neptune. So if that's all, he's Audi, thanks.
The next day at school, Weevil catches up with Veronica to find out if they found the witness. Yeah, Weevil, they did, but as Veronica points out, he's as good as no witness at all -- and he's no fan of the PCHers. (Now that Weevil is no longer running things, the bikers have taken a real hit in the image department.) By Veronica's count, they've got bupkis. Weevil has another angle to play: Molly Fitzpatrick. Weevil tells Veronica about Felix and Molly's relationship and plans for a lifetime of, ahem, "trucking their brains out," along with his hypothesis that Thumper killed Felix on Liam Fitzpatrick's orders as a condition of their new business arrangement. He also speculates that perhaps Thumper was the one that outed Molly and Felix to the Fitzpatrick, making him the engineer of Felix's demise in more ways than one.
Weevil approaches Molly at lunch and slams a cute yellow toy 18-wheeler down on the lunch table. He tells Molly that he found it in Felix's shop locker and assumes that it has something to do with her and Felix's talk about the future. Except, see, it's hard to be sure because Felix never mentioned her by name. Too bad her family had Felix put into the ground, right?
Molly snaps back that her family had nothing to do with it -- they weren't even on that bridge. It was either Logan or a PCHer, which, to her? Same difference. Weevil points out that it is a bit strange that Dr. Griffith, a guy under the thumb of her family, magically appears as the star witness in the case. And then he delivers the striking blow: He's pretty pissed off because in his mind, Felix died because he loved Molly, and Weevil's pretty sure she didn't give a damn about him. Molly denies it -- she loved Felix! Weevil screams at her that no, he loved Felix. And you can tell because he's the only one still interested in finding Felix's killer. Game, set, and match, Weevil.
Later, over at the River Styx, Molly is contemplating the bar and Felix's toy truck while Liam and Danny Boyd play pool. Liam comments on the fact that Molly's kind of out of it, which she attributes to a crap day. She tells them that she's upset that Logan isn't doing time for murder and wonders aloud about what happened to Dr. G and his testimony. Liam's suspicions are immediately aroused and he's not placated by Molly's protest that she only brought it up because she never trusted the good doctor.
Liam gets up in her face and yells that she better not be mooning over the dead "half-breed" because Felix had just been using her. According to Liam, Felix talked all sorts of smack about her and treated her like his whore. I feel so sorry for Molly in this moment because I'm sure she's not sure whom to believe -- her family, or the boy that she loved ... the boy that died.
We flash over to Veronica's room where she and Weevil are listening to this very same conversation courtesy of Veronica's spy gear. Aha! The toy truck was bugged with a listening device -- very sneaky, you guys. Liam continues by saying that she should be glad that Felix is dead. And if her dad weren't still in prison, he'd have done it himself. It isn't exactly a confession, but it's damn close.
As Weevil goes to leave, he and Veronica discuss the repercussions of sharing the information with Lamb. Weevil says that he's willing to take the chance that Thumper will counter with his cell-phone video of Weevil dispensing justice, if it means that Thumper will go down for Felix's murder. Weevil also points out that he's fairly certain that Thumper made up all of the "trash talking" that Felix did about Molly in an effort to piss Liam off.
The next day, Weevil and Veronica are in the neighborhood, so they drop by the Sheriff Department to help Lamb solve a murder case. Veronica shares the tape of Liam Fitzpatrick's sort-of confession about arranging Felix's murder, and tells Lamb that Thumper was the one who wielded the knife on Liam's orders. Veronica points out that since they've so nicely dropped all of this info in his lap, getting some admissible evidence is the least he can do.
Lamb disagrees and shows exactly how much of a prick he is when he tells Veronica that, actually, there is less that he can do. Like, um, nothing. Weevil is none too thrilled by this turn of events and is getting desperate for justice -- he's ready to move on to Plan B. Veronica asks him to be patient just a little bit longer -- there's a woman she needs to talk to that may help their cause. Weevil doesn't agree, and reminds her that patience is not one of his virtues. (Right there with ya on that one, Weevil.)
We head over to Woody's office, where Keith has arrived, DVD in hand and a revelation on his tongue. They pop the video into Woody's computer and Keith points out a couple of seemingly innocuous details: The video was taken when it was dark out, and according to the wall clock, it was taken at approximately 5:30 p.m. From this Keith concludes that the video was probably taken in November or December, prior to Woody going public with his Incorporation Plan. And now he has to wonder if this isn't about the incorporation, what other reasons might someone have to rattle the Woodster? No one comes to mind, so Woody says he'll have to think about it. Okay, liar.
That night, we see Thumper pull up on his motorcycle in front of a church that we can only assume is St. Mary's. As he walks along the sidewalk, a hand lashes out from between two vehicles and covers Thumper's mouth and nose. By the way he collapses, one can only assume he was chloroformed. The perpetrator of this attack is none other than Weevil, who lays Thumper on the ground behind a large, white conversion van and relieves him of a brown paper bag that we can only assume contains either money or drugs. Weevil smiles the pleased grin of an evil genius: Clearly, everything is going according to plan. Except what Weevil doesn't know is that there were two small children in the back of the white van that witnessed the whole thing.
When we next see Thumper, he's meeting with a none-too-pleased Liam Fitzpatrick, who is understandably upset by the news that Thumper doesn't have the money. Thumper tries to explain to Liam that the money was stolen when he was jumped on his way into the church to make the drop. Liam points out that he doesn't seem to be injured in any way, which doesn't match up too well with his whole story of being attacked. Thumper tries to explain about being chloroformed, but at that moment, Danny walks in bearing a familiar brown paper bag. He tosses it to Liam and tells him that he found it hiding behind Thumper's gas tank. Liam opens the bag, and shows off the cash inside. As we pan over to Thumper, it is clear that Weevil's plan is working beautifully -- and that Thumper should be very, very afraid. Terrifyingly well played, Eli.
The next morning, we find Liam and Danny in what looks to be an empty public bathroom where they've tied Thumper up to a urinal. Thumper is pleading his innocence and swearing left, right, up and down that Weevil set him up, that Weevil must have found out about the church. Well, he did, little bunny, but I don't think that's gonna help ya now. Danny's laughing like the lunatic he is, while Liam crafts a gag.
Thumper swears that he'll get them both -- and that he's got something on Liam. (?!?!) But no sooner do those words leave his mouth when Liam stuffs it with a rag and tapes the gag in place with duct tape. Funnily enough, Liam comments that duct tape really is good for everything. Tru dat, Liam. Especially in this town! As the Fitzpatrick's leave the room, we hear loud horns of some persuasion in the background. You have to wonder if perhaps Liam and Danny have chosen old Shark's field as Thumper's final resting place -- and if they plan to just let the demolition crew do the dirty work for them.
Over at Keith's office where he is staring intently at his computer screen, Woody pops in to let Keith know that he doesn't need to work on that whole stalker thing anymore because the mystery has solved itself. Really! The Woodman would like Keith to believe that his former gardener was the perp, and that he confessed over a crisis of conscience. According to Woody, his wife fired this renegade gardener last fall when he killed the hydrangeas.
Apparently Mrs. Mayor is tough. Yeah, well, I'll buy that. You are weird and creepy, your daughter is oblivious and annoying, and your son is some kind of automaton. You guys are Neptune's very own Addams family. Anyway, Woody asks for the DVD back and Keith gives it to him. I think we all know Keith well enough to know that he clearly isn't buying Woody's story any more than we are, and that he's probably made himself a duplicate copy of the DVD. Keith sees Woody out and asks Veronica to hold his calls while he retreats into his office to watch -- you guessed it -- his copy of Woody's stalker video.
Out in the office lobby, Mr. Mystery Witness comes into Mars Investigations and surrenders to Veronica. Apparently she went to his wife about his involvement in the incident on the bridge, and it sounds like the wife made him come forward. Veronica and Mr. Witness go to see Lamb, where he tells his story. He saw one of the PCHers stab another one of the PCHers and then put the bloody knife in Logan's hand. And although he couldn't see the faces of any of the bikers, the one that stabbed Felix fled the scene on a red motorcycle with a black spider on it. Lamb knows the bike and tells Sacks to issue a warrant for the arrest of Eduardo "Thumper" Orozco.
The day of the demolition has arrived, and the crew foreman finds Thumper's motorcycle chained up in the stadium, and immediately tells Woody about it. Of course, Woody's primary concern is that this isn't indicative that someone is still in the stadium. The foreman assures Woody that they blew the bullhorn a dozen times and his guys have done several walkthroughs. They decide that since it would take twenty or thirty minutes to get the bike out of there, they will move forward with the demolition as scheduled and someone is just going to have to lose a bike.
At the Mars apartment, Veronica and her dad are sitting down to watch Woody make his farewell speech to the old stadium, then flash back to the site where everyone applauds Logan as he walks on stage. Logan takes one look back at the old Stadium before resting his hands on the bar of the plunger, and then presses down to start the demolition. Cut to a terrified Thumper inside the bathroom listening to the nearby sounds of a chain of explosions.
We flash back to the Mars family living room where Veronica and Keith watch the stadium walls come tumbling down on TV. And then we see Eli 'Weevil' Navarro in a confession box imploring with a visage totally lacking in guilt, "Bless me father, for I have sinned." A chilling confession to a priest that may or may not be Father Patrick Fitzpatrick. We fade to black with the sound of children's laughter ringing ominously in our ears.
- Weevil, Felix and the PCHers sitting in the quad discussing futures. (Read detailed breakdown.)
- Weevil (along with the PCHers) kicking the crap out of, erm, I mean, 'saving' Curly. (Read detailed breakdown.)
"America the Beautiful" (Instrumental)
Scene: The American Flag waves via monitor as stirring strains to this beloved National classic float through the air as Logan Echolls is announced a winner ... for possibly the first time in his life.
"If I Were A Storm" (Wild Seeds)
Scene: Liam wants his beer, Molly wants her Felix and Danny wants to just play pool, but alas those Irish tempers flare and a'bickering starts. Temper, temper, temper.
"Lost Art" (Mere Mortals)
Scene: Couples move to and fro, sway (squee!) and swing at the Sadie Hawkins Spring Fling while Veronica clicks and snaps and Logan tickets and longs to snap.
"Dreamworld" (Stockton)
Scene: Wallace is taking a walk on the dark side, ignoring sweet, albeit plain, Jane to get some smackin' time with Jackie who's all: "Oh, no, you di'n't!!"
"Sway" (The Perishers)
Scene: Mac and Beaver, yada, yada, yada, Annoying Gia, yada, yada, yada ... Logan and Veronica! The dance. The looks. The tension. The LoVe!
"Gravity / Falling Down Again" (Alejandro Escovedo)
Scene: The Jets are gonna have their way tonight -- or rather today, as the Sharks Field Stadium goes kablooey!!
LoVe Lines
Veronica: Freedom. That's what it's all about. But talking about it and being it, that's two different things.
Logan: Phew. You came up all deliberate like, I thought you wanted to ask me to the Sadie Hawkins Dance, not recite my prize-winning essay.
Veronica: Neither, actually. I'm quoting Easy Rider, which you may remember making me watch last summer.
Logan: That's funny, it sounds a lot like my essay.
Veronica: Yeah, weird. (She looks at him a moment longer, while he takes the opportunity to check her out.)
Veronica: Hey, I need a second.
Logan: I'm sorry, I can't be late for my first day. Call the count court house and ask for the assistant to the honorary deputy mayor and have them pencil you in.
Veronica: I need you to do something for me.
Logan: Veronica ... ask not what Logan can do for you, but what you can do for Logan.
Veronica: That's gonna get real old soon.
Logan: Let me know when that time comes. Until then, you know me, I'll just be speaking softly and carrying a big stick. (Logan throws his keys in the air and Veronica catches them before he can.) God, you're a pest.
Veronica: Tell me everything you remember about the night Felix was killed.
Logan: You do know I've been cleared of all charges. the whole 'dead Felix' business has lost its intrigue for me. Once something stops being important to me, my memory gets a little fuzz -- (Looks away and then back at Veronica.) -- wait, who are you?
Veronica: The murder is still unsolved.
Logan: And yet, somehow I sleep like a baby.
Logan: Veronica's Le BaronSo this is staking-out, huh? It looks sexier in the movies.
Veronica: (After a few moments of silence.) Did you hear anything from Hannah?
Logan: Does deafening silence count?
Veronica: You know I'm not sure, but I think when they start shipping your girlfriends off, you're officially a bad boy. (Holds hand up for high-five)
Logan: (High-fives her.) Her dad and your dad should get together and go bowling.
Logan: (To Veronica.) Follow the bouncing ball (He mimes a bouncing ball over words with his finger.) Not my problem. (Veronica acts like she's going to give him his keys, but then pulls them at the last moment.)
Veronica: You don't remember anything about the guy who stopped and helped you, the 9-1-1 caller?
Logan: (Thinking for a moment.) Mexican dude driving a truck. Oh, his truck had a bumper sticker. It said: How's my driving? Call 1-800-EAT ... something.
Veronica: Thanks. Well, (Offers his keys to him as if on a silver platter and then pulls them back quickly) run along, Deputy Dawg. (Throws his keys in the air and Logan catches them.) Serve your community. (Logan presses his keys to his lips and Veronica can't help the small smile that crosses her face.)
Gia: Tell me what you think about me. (Smiles and readies herself.) Seriously. Be completely honest. (Logan takes a breath and turns to Gia to let her have it.)
Veronica: (Quickly grabs Logan's hand.) Dance with me.
Logan: (Letting himself be pulled away.) Ohh. (Gia pouts. Veronica leads Logan on to dance floor.) When I dreamed of this moment, "I've Had the Time of My Life" was always playing. (Veronica faces him.) Mm, what can you do?
Quotable Quotes
Mrs. Murphy: Grand prize winner of Woody Goodman's freedom essay contest is ... Logan Echolls!
Logan: I'm sorry, did someone say my name? (He said with a Cheshire grin.)
Jane: I heard the FBLA won the drawing to host the Sadie Hawkins Dance. Dances are the best fundraisers. The band made like three grand last year.
Veronica: (Deadpan.) This face, right here: (Drawing a circle in the air with her finger around her face.) My over the moon face.
Veronica: I'll be working it, though --
Wallace: You work it, girlfriend.
Veronica: Anyone on your radar?
Jane: Well, I've got a dilemma. I'm torn between this sweet band dork and this all-hands Nubian prince.
Veronica: Ooh, tell me about this sweet band dork.
Weevil: I need your help.
Veronica: Ah, if I had fifty bucks every time someone said that ...
Weevil: Look, I know it's a drag being you, and --
Veronica: No, seriously, I'm gonna need fifty bucks if you expect me to keep listening.
Weevil: Well, I'm banking on curiosity getting the better of you. (Veronica walks away, stops and looks back at him to briefly glare before turning away again. She stands still while Weevil looks from left to right, appearing as nonchalant as can be. Veronica stews for a few seconds before doing the, what I will call, 'Veronica Mars Dance of Frustrated Curiosity.')
Veronica: Alright, tell me. (Walking back towards him, scowling.) Damn my curiosity.
Veronica: You told me you didn't believe Curly caused the bus crash.
Weevil: I don't.
Veronica: But you beat him anyway?
Weevil: No, I saved his life. My boys wanted to send him off a cliff behind The Road Hog.
Veronica: Don't suppose you noticed whether Curly had my name written on his hand while you were 'saving his life?'
Weevil: No, uh, but the cameo he was wearing looked a lot like you.
Mr. Woo: (To Jackie and Wallace, deep in conversation.) This is Study Hall. Do you know what we do in Study Hall?
Jackie: Gimme a minute, I think I know this.
Mac: What are you doing?
Beaver: Uh, I'm just standing here wondering what I have done to make you ashamed of me. It's the age thing isn't it. Me, in my full blush of youth and you, in your advancing years.
Mac: I'm standing in the hall holding your hand, dork wad. You don't really want to go to that thing?
Beaver: Well, I'd like to be asked.
Mac: You want to go to the big dance, Cassidy.
Beaver: Was that so hard? Yes. And, if the dance blows half as much as I'm guessing it will we can cut out early and go straight to the good stuff.
Mac: Oww, My!
Beaver: I'm talkin' about Neptune's best pizza quest '06. YOU, get your mind out of the gutter.
Woody: Alright then. First things first, let's make it official ... Bev, do you have that Bible handy? Your left hand, please.
Logan: (Placing his hand on the bible, Logan pulls it back quickly as if in pain.) Oww, that burns. (Pausing.) Just kidding.
Woody: I, Logan Echolls, do solemnly swear to faithfully execute, the office of Honorary Deputy Commissioner of Balboa County, California.
Logan: I do! (Walks away.) Now, if you'll excuse me.
Woody: Where are you going?
Logan: I'm going to fire the Sheriff.
Woody: Hee, Hee, Ha! Let's save personnel changes till after you've warmed up a bit. Now I'm sure you are aware that I have introduced a bill proposing the incorporation of Neptune.
Logan: I'm glad you brought it up. I'm backing the plan, in fact, I'm throwing my considerable weight behind it. I say, we take it a step further and erect a wall around Neptune proper, keep the riff-raff out. Do you want me to visit some of the local community centers, sell them on it?
Keith: Logan?
Logan: That's Honorary Deputy County Commissioner Echolls, to you.
Keith: Ha, Ha. (So not amused.)
Witness: Guy like me, who's got a wife, and a five-year-old daughter? I think he's better off keeping his mouth shut.
Logan: Covering your own ass has made the last seven months of mine hell.
Witness: That's one way of looking at it. Now here's another. If it was me who stopped, chased off the bikers, and called 911? I guess I'd be the guy who saved your life.
Logan: I was planning on sending a fruit basket from prison.
Witness: A rich, white, son of a movie star getting convicted in Neptune? I'd say your future's safe.
Weevil: Awhile back I found out Felix and Molly had a thing. It got serious, sneaking around, talking about a lifetime of trucking their brains out.
Veronica: Good golly, Miss Molly.
Mac: This serves as a preemptive apology for the conversation that's about to take place. Okay. And ... Beaver and I, occasionally, you know, uh, make out.
Veronica: Umm. I made out once. Back in the day. I think he had me pinned up against a woolly mammoth.
Mac: So not that I'm an expert in this sort of stuff, but four months, typical high school boy, there should be some ... under the bra action, no?
Veronica: Let me consult my Idiot's Guide to Wanton Behavior. Basically you're asking me because I'm the sluttiest person you know?
Mac: Um, "slutty" is your word choice. Mine was "worldly."
Molly: Felix got stabbed on the bridge, nobody in my family was even there. It was Logan Echolls or it was a PCHer. Doesn't much matter to me which. Same scum, different wardrobe.
Jackie: Did you just check that girl out?
Wallace: I was admiring her sweater.
Jackie: Her second-skin, rack-magnifying sweater?
Wallace: I love the fabric.
Woody: So are you excited about the demolition ceremony?
Logan: Uh, nervous, actually. Someone's going to have to walk me through it step-by-step.
Woody: Uh huh.
Logan: Now, uh. Push down, right? (Mimics pressing plunger)
Keith: (Entering the apartment to discover Weevil talking to Veronica.) Eli. Veronica. Don't tell me -- lab report?
Veronica: History exam. Roman history. Man, that Caligula. (Rolls her eyes and whistles.)
Deputy Sacks: (Ushering Veronica and Weevil into Lamb's office.) Sheriff will be in in a minute, he's just running a little bit --
Lamb: (Interrupting Sacks from outside the office) Sacks!
Sacks: Guess he's here.
Lamb: (Entering the room) Someone took my parking space. Again.
Sacks: Uh, yeah. We got a letter? I guess the new Deputy Commissioner needs it. I guess he's handicapped.
Lamb: (To Sacks.) Look up Eli Navarro. There's gotta be something outstanding we can book him on.
Weevil: Oh, if I did it? It's outstanding.
Lamb: Still picking winners, huh, Veronica? (Gives her the sarcastic thumbs up.)
Veronica: I told you -- when I start picking losers, it's all you. We were just in the neighborhood, thought we'd drop by, solve a murder case for you.
Lamb: Well, bonus points for bringing the perp along. (Gestures to Weevil, who smirks appropriately in response.) So who's the deceased?
Veronica: Eduardo Orozco killed Felix.
Lamb: Thumper. But he's got such a cute nickname.
Weevil: He's dealing on campus for the Fitzpatricks now.
Veronica: (Pulls out a mini-cassette recorder.) Here's proof that they're working together. Liam Fitzpatrick practically confesses to orchestrating Felix's death on this tape. (Plays surveillance tape for Lamb.)
Lamb: Imagine how helpful that recording would be if it was obtained legally. Not to mention an actual confession.
Veronica: (Holding the micro-cassette recorder out to Lamb on her palm.) Note the absence of a silver platter. This was more to steer you in the right direction than to, say, do your job for you. (Pauses.) Actually, it was doing your job for you. Getting admissible evidence seems like the least you can do. (Pushes the recorder across the desk to Lamb.)
Lamb: (Pushes the recorder back, smirking.) There is less I can do. Trust me.
Weevil: You know, an '09er could come in here with tea leaves and a Ouija board and they'd send out a SWAT team! It's time for plan B.
Veronica: Not just yet, Dirty Harry.
Weevil: In case you haven't noticed, I ain't no Mick cop.
Veronica: Uh, okay. Dirty Sanchez? (Side note: Eew, Veronica, see Social Sciences) Just give me a few more hours. There's a woman I can talk to and luck might be a lady tonight.
Weevil: Patience ain't one of my virtues, Veronica.
Veronica: Ah, we always want the bad boys. (Camera zooms across the room to Veronica's favorite bad boy at the ticket table. Coincidence? I think not)
Logan: (Sitting at the ticket table with Gia and talking to guests at the dance.) Don't worry gang -- if she's a two at ten, she'll be a ten at two.
Gia: So, my dad likes having you at work. He says you've got potential. (To herself.) I think that was the word.
Logan: Well, potential is the word, but underachiever is the sentiment.
Gia: Ha ha. The demolition ceremony's gonna be fun. What if (Logan looks heavenward for help.) you push the plunger and nothing happens?
Logan: You mean like if there were total silence. (He looks directly at Gia.) Let's try to imagine it.
Jackie: Wallace, the girl you're trying to make me right now is the girl that I'm trying really hard not to be. So knock it off.
Thumper: It's Weevil! I'm telling you, man! He set me up! He must have found out about the church somehow.
Danny: (Laughing and slapping Thumper's chest.) Oh, yeah, yeah, yeah, yeah. Thumper! (Pats Thumper's head.) Argh!! (Beats his own chest.) You gotta man up.
Thumper: You're gonna get yours. Both of you. (Looks at Liam.) I got something on you.
Liam: (Stuffs paper towels in Thumper's mouth and tapes it shut as he and Danny laugh.) Oh, duct tape. Is there anything it ain't good for?
Lamb: Just so I've got this straight, you saw one PCHer stab another PCHer and put the knife in the Echolls kid's hand?
Witness: Yeah, that's what I saw.
Lamb: Could you identify the guy if you saw him again?
Witness: I couldn't make out faces, but the one that did the stabbing took off on a red motorcycle with some kind of black spider on the side.
Lamb: I know the bike. (Over the intercom to Sacks.) Sacks, issue a warrant for Eduardo "Thumper" Orozco. I want him tracked down now.
Wallace: I broke up with Jane. (Waits for a reaction of some kind from Jackie.) So are you gonna ask me to sit down?
Jackie: No. (Wallace looks confused.) You can't sit here Wallace! Do you not see that?
Wallace: Why not? I'm free now. You know I like you. There is nothing stopping us.
Jackie: If you sit here it proves that I'm the man-eating bitch that snatched you from one of the sweetest girls in school. I won't have that. Now go. (Wallace goes to speak and Jackie cuts him off.) Please, Wallace. Leave.
Gia: For a friendship to work, you have to be completely honest. Which is something I have absolutely no problem with. But you ... you run from the truth.
Logan: (Tightly.) Only when it's chasing me.
Gia: Do you know what I think? (Logan looks to the heavens for help.) I think you use sarcasm and anger as a way of keeping people from getting too close to you. (Veronica walks up, looking through photos, noting the conversation.)
Logan: I do. (Looks pointedly at Gia.) But it doesn't always work.
Mac: Is it me?
Cassidy: (Glances down at his lunch, looking confused.) No, it's the tater tots.
Mac: Are you not attracted to me?
Cassidy: Wait -- what?
Mac: (Hesitantly) Why don't you wanna, ya know like, do stuff?
Cassidy: Can we please not talk about it here?
Mac: We have to talk about it sometime. I get nervous too. Like when we're just hanging out it's totally comfortable and cool, but then it feels like there's all this pressure, and I don't know what I'm doing either.
Cassidy: (Clearly embarrassed.) I know what I'm doing.
Mac: I'm not saying you don't!
Cassidy: Well, it sounded like you were.
Mac: I'm saying I don't. So if you don't either, or you feel nervous ...
Cassidy: We have to stop talking about this.
Mac: Veronica says that all guys move at different speeds and that this could just be ...
Cassidy: (Cutting her off and clearly mortified.) You talked to Veronica about me?
Mac: (Stutters) No. I mean ...
Cassidy: What did you say to her?
Mac: Nothing. It was more about me. I just wanted to make sure that I wasn't doing something wrong.
Cassidy: (Clearly angry.) Well, you weren't, but you are now. Good luck getting laid.
Weevil: (In a confessional) Bless me father, for I have sinned. It's been a long, long time since my last confession ...
Rushmore ... (Referenced by Logan's "I'm sorry, did someone say my name?" moment.)
Rushmore is the 1998 film directed by Wes Anderson. Jason Schwartzman plays Max Fischer, a precocious and sarcastic 15-year-old whose reason for living is his attendance at Rushmore, a private school where he's not doing well in any of his classes, but where he's the king of extracurricular activities -- from being in the beekeeping society to writing and producing plays, there's very little after school he doesn't do.
His life begins to change, however, when he finds out he's on academic probation, and when he stumbles into love with Miss Cross, a pretty teacher of the elementary school at Rushmore played by Olivia Williams. Added to the mix is Max's friendship with Herman Blume (Bill Murray), a wealthy industrialist and father to boys who attend the school, and who also finds himself attracted to Miss Cross. Max and Herman go mano a mano in a battle of wits and wills in an effort to determine who is more worthy of Miss Cross' affections.
Easy Rider ... (Referenced by Veronica to Logan in reference to lines from his essay.)
One of the seminal films of the 60's, Easy Rider -- made in 1969 -- is a road movie directed by Oscar-nominated actor Dennis Hopper. The film tells the story of two young men, Wyatt (Peter Fonda) and Billy (Dennis Hopper), who "went looking for America but couldn't find it anywhere."
Sadie Hawkins ... (Referenced as the dance featured in the episode.)
Sadie Hawkins or Sadie Hawkins Day is an American folk event that made its debut in Al Capp's, "Li'l Abner" comic strip November 15, 1937. Sadie Hawkins was deemed "the homeliest gal in the hills" and she grew tired of waiting for a gent to come courting. Her father, Hekzebiah Hawkins, was even more worried about Sadie living at home for the rest of his life, so he decreed the first annual Sadie Hawkins Day. Its main event was a foot race in which the unmarried gals pursued the town's bachelors, with matrimony as the prize or for some unfortunate fellows, the consequence.
By the late 1930's, it became a woman empowering rite at high schools and college campuses, long before the modern feminist movement gained prominence. The basis of Sadie Hawkins Day is that women and girls take the initiative in inviting the man or boy of their choice out on a date, typically to a dance attended by other bachelors and their dates.
Note to self: Don't ever let father determine method of husband selection, ever.
FBLA (Referenced by Jane as she mentions who won the drawing to sponsor the dance.)
The (for some reason) ultra-trendy elective class for the 09ers -- I mean, seriously, WHY are Logan and Dick (DICK!?!) in this class? -- has its origins in the FLBA-PBL, i.e., the Future Business Leaders of America-Phi Beta Lambda. It's an international career and technical student organization with headquarters in Reston, Virginia. The organization is non-profit (again, DICK?!?) and designed to help high school, middle school and college students transition to the business world. (For the last time ... DICK!?!)
Shocker ... (Referenced by Weevil when attempting to correct her hand gesture.)
The Shocker is a gesture meant to indicate a sexual act, wherein the first and second fingers enter the vagina, while the errant pinky plunges into the anus; hence the "shock."
Scout's Honor / Scout's Sign ... (Referenced by Weevil when he points out Veronica's not actually making the "shocker" symbol with her hand.)
The Boy Scouts of America is the largest youth organization in the United States. Since its incorporation in 1910, membership has totaled more than 110 million. The organization educates boys and young adults in participatory citizenship, physical fitness and personal development through community service and leadership. Various divisions of the Boy Scouts of America include the Cub Scouts for boys who are 7-10 years old, the Boy Scouts for boys aged 10-17 and Venturing for young men and women aged 14-21.
"Scout's Honor" is a shorthand description for the Scout Sign and Oath. The Scout Sign, as loosely demonstrated by Veronica, is made by holding one's arm out to the right, hand pointing upwards, palm out, with the thumb holding the pinky down, so that the middle three fingers are the only ones pointing up. While holding the hand in this position, a scout pledges the Scout Oath: "On my honor I will do my best to do my duty to God and my country and to obey the Scout Law; to help other people at all times; to keep myself physically strong, mentally awake, and morally straight." The Scout Law referenced in the Oath is "A Scout is trustworthy, loyal, helpful, friendly, courteous, kind, obedient, cheerful, thrifty, brave, clean and reverent." The Oath and Law have not been changed since 1910.
Superman and the Fortress of Solitude ... (Referenced by Wallace when urging Jackie to get out every now and then.)
Traditionally located in the Artic (but more recently found in the Antarctic and the Andes Mountains), the Fortress of Solitude is the place where Superman can just be Superman without so much the "Super" part. The Fortress was introduced in Action Comic #241, The Key to Fort Superman in 1958. Quite the secret hideaway, only the Supe's closest friends and Allies (such as his lady love, Lois Lane) know of its existence. In keeping with its home away from home mentality, a trademark of the Fortress is a memorial statue of Jor-El and Lara, Superman's parents, holding a large globe of Krypton (his home world, destroyed shortly after his birth).
"Ask not what your country can do for you, ask what you can do for your country" ... (Referenced by Logan to Veronica when he says "Ask not what Logan can do for you....")
John Fitzgerald Kennedy, born May 29, 1917 and often referred to as John F. Kennedy, JFK or "Jack Kennedy," was the 35th President of the United States. He served from 1961 until his assassination on November 22, 1963. A member of the prominent Kennedy political family, he is considered an icon of American liberalism. At the age of 43, he was the youngest person to be elected president, and the second-youngest person to become president, behind Theodore Roosevelt (42 years of age). In rankings of U.S. presidents, historians usually grade Kennedy above average, but among the general public he is often regarded as among the greatest presidents.
Kennedy was sworn in as the 35th President on January 20, 1961. In his inaugural address he called all Americans to the duty as citizens. "Ask not what your country can do for you, ask what you can do for your country," he demanded. He asked the nations of the world to join together to fight what he called the "common enemies of man: tyranny, poverty, disease, and war itself."
Color me crazy, but I don't think that Logan was looking for Veronica to help him fight those particular enemies. For my money, I'd guess that Logan was hoping that what Veronica might "do" for him -- or more to the point, to him -- would be somewhat of a more prurient nature. But maybe I'm just fanwanking.
"Speak softly and carry a big stick" ... (Referenced by Logan when strolling with Veronica through the parking lot.)
Known as the originator of the "modern presidency," Teddy Roosevelt (1858-1919) was quite the innovator politically. His foreign policy motto was "speak softly and carry a big stick." Which roughly translates to, don't instigate a fight, but be sure you can defend yourself if one presents itself to you and make sure everyone knows that there is no doubt that you'll win the fight. Of course, Logan's use of the phrase, spoken to Veronica gives it a whole different meaning. We all know about Logan's alleged or should we say proven, sexual attributes. Live Large, Logan ... Live Large.
PCH (Referenced by Veronica as she mentions to Logan all of Thumper's recent accomplishments, including taking over the bike club.)
Pacific Coast Highway refers to sections of California's Route 1, beginning at San Juan Capistrano, south of Los Angeles, and ending where Route 1 merges with Highway 1 at Leggett, in Northern California. Route 1 is one of the longest (644 miles) and most scenic routes in California, providing breathtaking views of a large part of the Pacific Coast. It travels past dozens of historical landmarks and through such cities as San Diego, Los Angeles, and San Francisco.
Follow the Bouncing Ball ... (Referenced by Logan in talking to Veronica about Felix's murder.)
A technique used for children's sing-a-longs, in which the lyrics appear on the screen and a ball (generally red) bounces from word to word in time with the music so viewers can easily follow along.
Deputy Dawg ... (Referenced by Veronica when she calls Logan this during the fuzzy memory scene, as she allows him to take his keys.)
Cartoon character created by Larz Bourne and voiced by Dayton Allen. The Deputy Dawg Show was a part of the TerryToons animated series that was produced by CBS and ran from 1959-1972.
Deputy Dawg was a friendly, dim-witted canine Deputy Sheriff attempting to uphold the law and maintain order in the Mississippi bayous, while dealing with friends and opponents like Vincent "Vince" Van Gopher, Ty Coon the Raccoon, Muskie the Muskrat and Pig Newton.
San Diego (Referenced by Logan when he tells Veronica the witness on the bridge drove a San Diego Seafood truck.)
It is believed that the first humans settled in the San Diego area some 20,000 years ago, along the coast, and 12,000 years ago in the desert area. However, it was in 1542 that Portuguese explorer Juan Rodriguez Cabrillo sailed from Mexico into the Bay and claimed the area for Spain, naming it San Miguel. At the time, there were 20-30 thousand of the Kumeyaay tribe living there. In 1602, explorer Sebastian Vizcaino arrived on his ship, San Diego, and named the area for the Spanish Catholic saint, San Diego de Alcal. Then, in 1769, the first of a chain of twenty-one missions along the California coast was founded by Father Junipero Serra and the California Governor Gaspar de Portola. It was built on Presidio Hill and named Mission San Diego de Alcal. The first colonists arrived in 1774, and San Diego came under Mexican rule in 1821 when Mexico won its independence from Spain. Following that, in 1848, a treaty ending the war between the U.S. and Mexico set the official international border and declared San Diego an American city. Two years later, San Diego County was created and the City of San Diego was incorporated.
Today, with a population of around 1.25 million, San Diego is the second largest city in California and the seventh largest in the nation. According to the San Diego city website, more than 96 percent of the residents are employed, with a median family income of almost $40,000. The top industries are manufacturing, defense, tourism, and agriculture, with an additional focus on biotechnology/biosciences, electronics manufacturing, software, telecommunications, financial and business services, and defense and space manufacturing.
Located only seventeen miles from the Mexican border, with seventy miles of coastline and an overall land area of 342.4 square miles, San Diego is also home to many popular tourist attractions, such as Sea World, the San Diego Zoo, San Diego Wild Animal Park, Legoland California, and the Del Mar Thoroughbred Races. Professional sports teams include the San Diego Chargers (football), the Padres (baseball), and the Gulls (hockey). In addition to ten community colleges located throughout the county, the city is also home to San Diego State, the largest California State University campus, and the University of California, San Diego.
The Breakfast Club/"Her dad and your dad should get together and go bowling." ... (Referenced by Logan to Veronica during the stakeout.)
The Breakfast Club, made in 1985, is a motion picture written and directed by teen flick king, John Hughes. It is widely known as the coming of age film of the 1980's. The film follows a group of detention bound teenagers on Saturday, when they are forced to interact, regardless of clique or socio-economic background.
It has some pretty heavy hitter actors for the time, including Molly Ringwald, the 80's movie icon. This movie was refreshing in its honest portrayal of life as a teen outsider and life in the center of the popular teen dream. The realization is that they have a lot more in common than they thought. Each teen takes a lesson, a new relationship or an understanding about themselves from their day in the 'Breakfast Club.'
Logan references a line spoken by character John Bender (rebel without a cause), played by method actor, Judd Nelson. Logan's snark to Veronica about her dad and Hannah's Dad going bowling together was a direct shout-out to that movie. Logan shares his irreverent humor with that other bad boy, John Bender. Also, how fun is it to see that Logan hasn't really forgotten that Veronica's dad threw him out or that he felt they might not have broken up if Keith hadn't interfered? Dad's are great, but next time, let's hope Keith will dial down the physically of his interactions with Veronica's ex and future boyfriend, Logan.
Hey, you know it's true. All you need to look at is the chemistry.
Coronado Bridge (Referenced by Veronica as she confronts Luis about being on the bridge the night Felix was killed.)
The owners of the Hotel del Coronado, Hampton Story and Elisha Babcock, first conceived the San Diego - Coronado Bay Bridge in 1888. San Diego, in this period, had a prosperous tourist trade in part due to the transcontinental railroad that passed through the town. The 2.12-mile toll bridge opened in 1969 and spans from the Island of Coronado to the City of San Diego. The construction costs totaled $50 million for the bridge that stands over two hundred feet in the air, allowing the tallest ships to pass beneath. It won the Most Beautiful Bridge Award from the American Institute of Steel Construction in 1970.
Good Golly, Miss Molly ... (Referenced by Veronica to Weevil as they discuss Molly.)
Written by John Maracalco and Robert "Bumps" Blackwell, "Good Golly, Miss Molly" was first recorded by Little Richard in 1957 and achieved top-ten hit status in 1958. Although Little Richard was the first artist to record it, another faster-tempoed version performed by the Valients was actually released first.
The lyrics are:
- Good golly, Miss Molly, sure like to ball
Good golly, Miss Molly, sure like to ball
When you're rockin' and a-rollin' can't hear your momma call
From the early early mornin' till the early early night
When I caught Miss Molly rockin' at the house of blue lights
Good golly, Miss Molly, sure like to ball
When you're rockin' and a-rollin' can't hear your momma call
Momma poppa told me "son, you better watch your step"
If they knew about Miss Molly, have to watch my pop myself
Good golly, Miss Molly, sure like to ball
When you're rockin' and a-rollin' can't hear your momma call
Good golly, Miss Molly, sure like to ball
Good golly, Miss Molly, sure like to ball
When you're rockin' and a-rollin' can't hear your momma call
I am going to the corner, gonna buy a diamond ring
When she hugged me and kissed me, made me ting-a-ling-a-ling
Good golly, Miss Molly, sure like to ball
When you're rockin' and a rollin' can't hear your momma call
Good golly, Miss Molly, sure like to ball
Good golly, Miss Molly, sure like to ball
When you're rockin' and a-rollin' can't hear your momma call
The signature song of child actress Shirley Temple, "On the Good Ship Lollipop" was first performed by the actress in Bright Eyes (1934). The lyrics were written by Sidney Clare and the song was composed by Richard A. Whiting.
The lyrics are:
- I've thrown away my toys
Even my drum and train.
I wanna make some noise
With real live aeroplanes.
Some day I'm going to fly.
I'll be a pilot too.
And when I do, how would you
Like to be my crew...
On the good ship lollipop.
Its a sweet trip to a candy shop
Where bon-bons play
On the sunny beach of Peppermint Bay.
Lemonade stands everywhere.
Crackerjack bands fill the air.
And there you are
Happy landing on a chocolate bar.
See the sugar bowl do the tootsie roll
With the big bad devils food cake.
If you eat too much ooh ooh
You'll awake with a tummy ache.
On the good ship lollipop
Its a night trip into bed you hop
And dream away
On the good ship lollipop.
Caligula was a Roman emperor (AD 37-AD 41) and the son of Germanicus Caesar and Agrippina the Elder. His real name was Caius Caesar Germanicus. As a small child, he wore military boots, and that is how he got his nickname "Caligula", which means, little boot. (Are those the boots made for walkin', Caligula? Damn, I love those boots.) After the death of Tiberius, the Roman army helped make Caligula emperor. Shortly thereafter, he became severely ill and it is believed that after this illness he was insane. (Can anyone say, syphilis? Damn, VD is responsible for so much evil wrought upon the world.)
He earned a reputation for ruthless and cruel autocracy, and torture and execution became the order of the day. Caligula was responsible for serious disturbances among the Jews by attempting to erect a statue of himself in their temple in Palestine. He was assassinated by a tribune of the Praetorian Guard and succeeded by Claudius I. (I guess the combination of cool boots, over-the-top vanity and insanity are a recipe for treasonous acts ... Oh, the humanity.)
Ouija Board ... (Referenced by Weevil to Veronica at the police station)
"Ouija" refers to the belief that one can receive messages during a sance by the use of a Ouija board, a.k.a. a talking board or spirit board, and a planchette. The fingers of the participants are placed on the planchette which then moves about a board covered with numbers, letters and symbols so as to spell out messages. (For me, the thought of the Ouija board generally recalls late-night slumber parties or drunken escapades where my friends and I would decide that trying to communicate with the "other world" at 2 a.m. was, like, the coolest idea ever.)
Ouija is a trademark for a talking board currently sold by Parker Brothers. While the word is not a genericized trademark, it has become a trademark which is often used generically to refer to any talking board. The use of talking boards has roots in the modern Spiritualism movement that began in The United States in the mid-19th century. Methods of divination at that time used various ways to spell out messages. Often used was a small wooden tablet supported on casters. This tablet, called a planchette, was affixed with a pencil that would write out messages in a fashion similar to automatic writing. During the late 1800s, planchettes were widely sold as a novelty.
In 1890, businessmen Elijah Bond and Charles Kennard had the idea to patent a planchette sold with a board on which the alphabet was printed, and thus had invented the first Ouija board. An employee of Kennard, William Fuld took over the talking board production and in 1901, he started production of his own boards under the name "Ouija." The Fuld name would become synonymous with the Ouija board, as Fuld reinvented its history, claiming that he himself had invented it.
Countless talking boards from Fuld's competitors flooded the market and all these boards enjoyed a heyday from the 1920s through the 1960s. Fuld sued many companies over the "Ouija" name and concept right up until his death in 1927. In 1966, Fuld's estate sold the entire business to Parker Brothers, who continues to hold all trademarks and patents. About 10 brands of talking boards are sold today under various names.
Dirty Harry/Dirty Sanchez ... (Referenced by Veronica to Weevil after meeting with Lamb)
"Dirty Harry" is the nickname of Clint Eastwood's character in the 1971 film Dirty Harry. Eastwood plays Harry Callahan, a San Francisco detective on the hunt for Scorpio, a serial killer. Eastwood's portrayal of the unorthodox Harry spawned four sequels. Interestingly, Eastwood was not the first choice to play the role. Frank Sinatra (who had to back out after an injury), John Wayne, Steve McQueen, and Paul Newman were all offered the role.
The term "Dirty Harry" is now used to refer to cops who play the part of vigilante, taking the law into their own hands.
As for Dirty Sanchez ... You'd think that Weevil would find Veronica's alternative to Dirty Harry a mite more disagreeable. Before you click on the definition of the lovely Dirty Sanchez, I suggest you very carefully consider whether or not you want to bleach your brain anytime soon.
Luck be a Lady ... (Referenced by Veronica to Weevil at the Sheriff's department.)
"Luck be a Lady" is a signature song from the musical Guys and Dolls which was produced in 1955 and directed by Joseph Mankiewicz. Guys and Dolls has several plotlines focusing on a famous floating crap game, sinners and a lovely lady running a mission, a $1000 bet and several intertwining romances. It starred Marlon Brando and Frank Sinatra who sung the song "Luck be a Lady." The lyrics are:
- They call you lady luck
But there is room for doubt
At times you have a very un-lady-like way
Of running out
You're on this date with me
The pickin's have been lush
And yet before the evening is over
You might give me the brush
You might forget your manners
You might refuse to stay
And so the best that I can do is pray
Luck be a lady tonight
Luck be a lady tonight
Luck if you've been a lady to begin with
Luck be a lady tonight
Luck let a gentleman see
Just how nice a dame you can be
I know the way you've treated other guys you've been with
Luck be a lady with me
A lady never leaves her escort
It isn't fair, it isn't nice
A lady doesn't wander all over the room
And blow on some other guys dice
Let's keep this party polite
Never get out of my sight
Stick with me baby, I'm the guy that you came in with
Luck be a lady tonight
Dirty Dancing/ "I've Had the Time of my Life" ... (Referenced by Logan to Veronica as they begin "THE DANCE" and the squeeing heard round the world commences)
Dirty Dancing is a 1987 musical and romance film directed by Emile Ardolino, starring Patrick Swayze as hot dance instructor from the wrong side of the tracks Johnny, Jennifer Grey as the wealthy, sheltered but brilliant daddy's girl Baby who can't help but love Johnny, and the delightful Jerry Orbach as her overprotective doctor father.
Filmed at Mountain Lake in Virginia and at Lake Lure in North Carolina, Dirty Dancing was distributed by Vestron Pictures. The movie became a major hit after it was released, despite being a low-budget film with no major stars (at the time). Its soundtrack is one of the best-selling soundtracks of all time, and it spawned several hits, including "(I've Had) The Time of My Life," composed by Franke Previte and sung by Bill Medley and Jennifer Warnes, which won an Oscar for Best Original Song.
"(I've Had) The Time of My Life" plays in the movie's final climactic scene where Johnny and Baby interrupt the regularly scheduled end-of-season talent show to use the art of well choreographed dance (by Kenny Ortega) to prove to the world that their star-crossed love is real. I'll admit it -- I've seen the movie a zillion times and damnit, it always gets to me. I'm a sucker for the bad boy whose prickly exterior hides a marshmallowy, romantic center. Now who does that remind me of? (Hee!) Plus, the "dance=love" formula is really working for me right now.
Vulcan Death Grip ... (Referenced by the Fitzpatricks to Thumper.)
The Vulcan Death Grip doesn't actually exist, as its inception comes from a future of peace envisioned by Gene Roddenberry in his classic space cowboy television show, Star Trek. The Vulcan death grip is a fictitious instinctive maneuver attributed to the race Vulcan, a people with dark hair, highly-arched brows, pointy ears and an implacable presence of serenity. The best known Vulcan (despite four additional ST series (The Next Generation, Deep Space Nine, Voyager and Enterprise) is Spock, the original.
Ironically, he is only half-Vulcan and thus didn't quite have that serenity down pat and employed use of the Vulcan Death Grip a tad more often than necessary. The maneuver is used as a reaction mechanism when one is unprepared for an attack. One of his more famous, albeit unorthodox, instances of us use was in 2268: Spock used the "Vulcan death grip" on Captain Kirk as a means to fool the Romulans into believing Kirk was dead, so to bring him back on board the USS Enterprise without causing suspicion in the episode The Enterprise Incident. They did this as part of a plot to steal the Romulan cloaking device.
Thumper/"Little Bunny" ... (Referenced by Danny when telling Liam that he found the money Thumper had said was stolen)
Thumper's nickname comes from the 1942 Walt Disney animated film Bambi. Based on a 1923 book by Austrian author Felix Salten titled Bambi, A Life in the Woods, the film follows Bambi, a young deer, his parents, and his woodland friends, Thumper (a rabbit), Flower (a skunk), and Faline (another deer). So how did Eduardo Orozco get the nickname "Thumper?" Let's look at him and his namesake side-by-side, shall we?
Nah. Still don't get it. Maybe he doesn't like to eat his greens ...
Jack Murphy/Qualcomm Stadium and Three Rivers Stadium ... (Referenced as the real-life facilities standing in for Shark Field.)
This is just an interesting behind-the-scenes tidbit. For old Shark Field, two other real-life stadiums were used. The stadium in the background behind the stage before the demolition was Jack Murphy/Qualcomm Stadium, former home of the San Diego Padres and current home of the San Diego Chargers. It opened in 1967, known as San Diego Stadium. In 1980 it was renamed Jack Murphy Stadium, after a local sports editor who was the original driving force behind getting the stadium built. It was again renamed, to Qualcomm Stadium, in 1997. For the 2004 baseball season the San Diego Padres moved to their new home, Petco Park, which was used for the field trip in Normal Is the Watchword.
The television footage of the demolition was of Three Rivers Stadium in Pittsburgh, which opened in 1970 and was demolished February 11, 2001. It was the home of the Pittsburgh Pirates and Pittsburgh Steelers. The name "Three Rivers" refers to its location, where the Allegheny and Monongahela Rivers joined to form the Ohio River.
- Specific instances are noted below, but just keep an overall eye out for John Kretchmer's excellent directing.
- Note the preponderance of American Flags on display this episode:
- The American Flag displayed on Mrs. Murphy monitor at the start of the episode.
- The Flag seen in the corner of Mr. Wu's classroom during Study Hall.
- As the scene in the parking lot with Logan and Veronica begins, the shot begins on the flagpole in the distance and Logan's keys thrown in the air hit their highest point before the two flags waving in the breeze (one of which is the American Flag).
- Seen several times in Woody Goodman's